Tuesday, December 29, 2015

The Clothes Show Live 2015: Exhibition Review

Birmingham NEC was once again the home of fashion this December as The Clothes Show Live held its annual four day show.
For the first time ever the exhibition supported a start-up area for new designers to sell their debut collections in the fashion fast-lane. Yay!
The queues were buzzing with excitement as the giant doors were flung open at 9am as eager shoppers, bloggers and beauty fanatics flooded the stalls.
At Purple Revolver we love a bit of retro clothing and so made a beeline for the vintage quarter to drool over the Belstaff leather jackets and Reebok pump high-tops. Swoon.
The rest of the exhibition is divided up into high end designer boutiques, beauty stalls, education exhibitors and start-up designers.
Designer Avenue formed a row of pretty boutiques focussing mainly on high end special occasion wear and showcased a fine array of stunning red carpet gowns alongside cashmere and leather accessories.
What seemed like 1000’s of beauty stalls were constantly rammed with women and girls thrusting notes at the chiselled male models handing out £10 goody bags filled with skin care, cosmetics and nail varnish samples. Sex sells…who knew?
The start-up designer section was absolutely jam-packed with talent and paired with the college and university exhibitors provided visitors with a real insight into the inner workings of the fashion industry.
We were delighted to see so many Northern designers coming to the fore with real passion for producing well-rounded, comprehensive collections of beautiful, original clothing.
10 years ago The Clothes Show Live was all about stocking up on discounted lines from labels such as Paul Frank, Juicy Couture and David & Goliath and while there are still plenty of bargains to be had the show has now taken on a responsibility to educate shoppers on how their items are sourced and constructed.
Tickets for seminars with fashion legends Caryn Franklin and Hilary Alexander sold out before the exhibition began and the tonne of floor space reserved for those in the education sector made for the most interesting part of the show.
From the 2015 Graduate catwalk to hands-on displays of pattern cutting, garment construction and student sketch books showing design processes, the friendly students on hand spoke enthusiastically about their learning experiences, hoping to inspire a new wave of talent.
After taking in the spectacular Alcatel One Touch sponsored catwalk show featuring a gaggle of beautiful models (a gaggle?! A flock?) And their endless legs whip nae-naeing down a huge runway we were all fashion-ed out.
We left with a bag stacked full of uni prospectus, course leaflets, business cards, flyers, glossy mags and samples to pour over on the journey home.
Hopefully the event organisers will continue in the same vain and inspire more budding designers to make the leap into main stream fashion.

Thursday, December 24, 2015

Roadkill turned into fur fashion

Pamela Paquin’s source for fashion is either “tres chic” or will make you shriek.
She creates neck muffs, leg warmers, hats, purses and more from roadkill, or “accidental fur,” as she prefers to call it.
As owner of Petite Mort Furs, a 2-year-old Boston-area company, she said she’s offering the fur industry an alternative to wild fur trapping and large-scale fur farms.
“All this fur is being thrown away,” Paquin said. “If we can pick that up, we never have to kill another fur-bearing animal again.”
Keith Kaplan, head of the Fur Information Council of America, said his trade group considers all North American furs to already be ethically and environmentally responsible.
“Production of fur in North America is highly regulated with guidelines set through years and years (and millions of dollars) of scientific study,” he said via email, declining to comment on Paquin’s company or the general idea of using roadkill for fur. “In fact, the populations of every species used by the industry today are as abundant, or more abundant, than they were a century ago.”
Animal rights groups also have mixed feelings about roadkill fur.
“We’d just say it’s in very poor taste,” said Kara Holmquist at the Massachusetts Society for the Prevention of Cruelty to Animals, declining to elaborate.
Lisa Lange, a senior vice president at People for the Ethical Treatment for Animals, or PETA, said that there’s “never an excuse” to wear fur, but that it’s “far better” to wear roadkill than farmed fur.
Pam Paquin
Others worry her products could only serve to prolong the industry they’ve spent decades trying to defeat.
“A business that promotes wearing real fur as fashionable and acceptable may well create more demand for fur from all sources, and could give all fur wearers a shield from legitimate criticism,” said Virginia Fuller, of the Boston-area Citizens to End Animal Suffering and Exploitation, or CEASE.
Paquin counters that the stigma around fur has eroded in recent years.
Greater spending power in China, Russia and elsewhere, as well as greater use of fake fur trimmings on clothes and accessories, has revived its popularity.
That demand, she said, is part of the reason she chose to jump into the industry despite having no background in fashion or design, and after working mostly office jobs for environmental and sustainability organizations.
The Fur Information Council of America said the U.S. alone recorded $1.5 billion in fur sales in 2014. Globally, it’s part of an over $35 billion industry.
“Clearly advocacy had failed,” Paquin said. “Alternatives must be found. Making use of animals that would otherwise be thrown away is sensible.”
Heidi Forbes Öste, a San Francisco-area resident who purchased a fox fur neck muff from Petit Mort last summer, said she’s surprised at the pushback from animal rights groups.
“They’re being short-sighted,” she said. “We should be encouraging people to buy sustainable fur. These are animals that are already dead.”
Products by Petit Mort, which means “the little death” in French and also describes the sensation of orgasm, are decidedly high-end, ranging from $800 to $2,000, depending on the product and type of fur used. They can be found online and on Boston’s fashionable Newbury Street, where the company rents display space in a handmade goods market.
“The value that these products have is that they’re handmade, local and last a lifetime,” Paquin explains. “That’s not just couture and high end, but that’s also sustainable.”
Each piece comes with a personal note explaining where and when the animal was found.
Paquin works with animal control specialists to gather the carcasses, but skins many of them herself. She considers the process almost sacred and doesn’t care much for the “roadkill” label.
“It’s a turnoff,” Paquin said. “It cheapens my product.”

Monday, December 21, 2015

Charles Gross’ Holiday Fashion Tips

The holidays are quickly coming around once again. Even though we are all stressing out about what to give other people, we need to ask ourselves one important question: What am I going to wear? YouTube sensation, Charles Gross, has the answer.
Gross has been on the rise since beginning as a handbag reseller in order to make a living. Since then, he’s been creating daily videos talking about fashion, style and his favorite trends of the moment – so make sure to tune in. The topics of his videos range from fragrances to handbags to seasonal trends that keep fashion-conscious viewers in the know.
Vital VOICE caught up with Gross to chat about not only his favorite holiday fragrances and trends, but also his personal gifting preferences.
When did you realize your passion for fashion, style, and fragrances?
I think it was pretty inherent, just through my childhood. My parents both worked in design and fashion magazines were always around the house. It was just something that was in my DNA.
What favorite trends of yours can we see the most this winter season?
Well this season I have been seeing a lot of earth tone pallets in collections that have been coming out for this holiday/winter season, so everyone is doing earth tone. A lot of “distressed” clothing (clothing that looks very worn), a lot of oversized pieces and there’s a lot of layering going on. With those oversized pieces, a lot of designers are encouraging layering their clothing, so it’s a very relaxed 90s look that I kind of love/hate.
What number one trend do you think should not have made a comeback this year?
I think the number one trend that I’m not crazy about is the bomber jacket. I saw it in the Kanye West collection with Adidas and I’m seeing a lot of other designers do it.
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Tell me about fragrances. What are some of your all-time favorites?
My favorite fragrance ever is Chanel No. 5. It’s something that I’ve worn for three or four years now. I always recommend that for a benchmark in any given fragrance collection. My recent favorite has been Black Opium by Yves Saint Laurent. It’s a really sweet, feminine fragrance for someone who doesn’t want to go with something as mature as No. 5.
What is the absolute best fragrance you’ve ever purchased?
I would say No. 5, but the absolute best would have to be Flowerbomb by Viktor & Rolf. It’s a very sweet, feminine fragrance. Even though it’s clearly feminine, it’s really great as a guy as well. It’s just intoxicating.
What fragrances are the best to wear for the holidays?
For the holidays, since it gets colder for most people in the United States, I tend to go with more spicy and warmer fragrances. You’ll find that in a lot of men’s fragrances. My favorite is Tom Ford Noir. It’s a very, dark spicy scent that cuts through the cold air.
Let’s talk about Sephora for a minute. What do you think would make the best Sephora stocking stuffers?
I love Sephora. I think their best stocking stuffer would be their rollerball perfumes. Also, some really good BB crèmes for someone who is just getting started with makeup. As for the rollerballs, they’re the best because they’re small, they’re not that expensive and it’s a great way to help someone get into a perfume without the commitment of a huge bottle.
And what Sephora item would make the best “luxury” gift?
They have some really good high-end skin care, and I always think that’s such a luxury. It’s a really intimate gift to have a little jar of crème that you use every day. It’s really touching when you give someone high end skin care because the quality is always there. You could also give them a full sized bottle of perfume because that’s always a good luxury gift.
What do you think are absolute “must” accessories for this time of year?
For this time of year, I think an absolute must is a good scarf. It can really elevate an outfit and it screams winter. Good gloves are also a must. I have a really big pet peeve about puffy gloves. If you get a good pair of close-to-the-skin gloves, they can really keep you warm and they’ll make you look nice.
Given your history with handbags, what bag would make the “perfect Christmas gift”?
I would have to say the Sac de Jour by Yves Saint Laurent. It’s a really beautiful, classic handbag. Even though it’s marketed towards women, it is definitely a unisex bag. For instance, if there’s a guy in your life who has an office job and needs a plain black briefcase, this bag would be perfect. It comes off as being masculine and it is being more and more recognized as an iconic handbag.
Do you think mini and micro bags would make cute gifts as well?
It really depends on the person. Some people really love them and think they’re cute, while some people aren’t crazy about them. For a while, I was not crazy about them until a got a mini bag myself, but I do think they’re a good gift, more so for a younger individual. They’re very cute to accessorize, but they do scream youth.
Now let’s shift to “luxury” gift ideas. You talked about the Creed Bespoke Fragrance Journey, which is priced at $475,000, in one of your videos. What would your custom scent smell like?
I’ve thought about this a lot. I would definitely want something that is extremely sweet, but is very on the warm size. A honey-based fragrance, but not very floral and not very biting, with some spice underneath to tie it all together. That way it could be worn all throughout the year.
And no amber right?
No [laughs].
If you could have one “luxe” gift from the Bergdorf Goodman Holiday Catalogue, what would it be and why?
It’s such a hard choice, but I would choose this Chanel watch that I talked about in one of my videos when I was going through the Bergdorf Catalogue. It was so beautiful. I don’t remember how much it was off the top of my head. I know it was extremely expensive for a watch but it was so stunning and it’s a really in your face and out of this world luxury that you could probably only wear to very few places.
What are great gift ideas for those who are on a budget?
I think that going with basics is always a great idea. It’s always good to stick with fashion and wardrobe staples. If you’re going to gift someone something and you’re on a budget, getting something that’s more on the simplistic side will last more than one season and the quality will hold up. It’s not necessary to go to a luxury store to get these staples.
Lastly, what is the best Christmas gift you’ve ever received?
That’s a hard one. A long time ago, when I was very young, I asked for a Coach bag for Christmas. It was my first designer bag ever and I was really young and I had no idea about fashion. Even though I’m not crazy about Coach at the moment, there’s definitely a lot of sentimental value with that handbag.

Friday, December 18, 2015

Fashion show and concert to highlight Native artists

Chase Iron Eyes has spent the past year working to bring attention to marginalization and discrimination in Rapid City, but he'll spend this weekend shining light on talented Native American artists.
The #NativeLivesMatter Fashion Show and Concert will be held at The Dahl Arts Center this weekend. The event is part of a long effort over the last year after several incidents and longstanding frustrations in the community. Iron Eyes, 37, is an activist from Rapid City and Standing Rock Reservation, and the head of Native news website Last Real Indians.
"I'm about addressing the systemic nature of oppression and impact of legal and economic institutions in the state of South Dakota," Iron Eyes said. "It's hard to prove discriminatory intent, but I felt that activists were marginalized, so we wanted to have a concert to provide a neutral venue for people interested in finding out why Indians always protest in Rapid City."
Iron Eyes said that events such as the GEAR UP scandal and the acquittal of Trace O'Connell, who was accused of spilling beer on Native American students during a minor league hockey game, were among the many things he was disappointed in.
"They're more blows to native consciousness and Indian/white relations in Rapid City," Iron Eyes said. "There is work being done by the mayor and chief of police being done to help, but I'm concerned real issues are going to be overlooked."
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This event, then, will double as a talk about issues and as a way to highlight talented Native American artists, beginning with the Native Fashion Week portion run by designer Edison Ritchie, whose work has been featured across the United States and Europe. Ritchie's company, Revolution Couture, will sponsor the event.
"We have an idealistic mindset that we want to promote," Ritchie said. "I hope people take away a sense of empowerment. I am empowered, I am Native, I'm from Pine Ridge, I am successful, sober, drug free, and I hope people see that and feel empowered as a Native and a person."
Ritchie will debut his collection of designs from the recent 2016 L.A. Fashion Week shoot. The show will also feature designs by Sunrose Iron Shell, an open discussion led by producer Crystal Two Bulls, and a performance by Native hip-hop artist Kooper Indigenize Curley. Ritchie is particularly excited that his work will be soundtracked by Curley's work.
"His words are so powerful, and they'll bring forth the activism of what I'm doing," Ritchie said. "My clothing incorporates bullets and guns, but it's not about violence, it's a sign of pure freedom."
Curley won't be the only musician at the event. There will be a hip-hop concert featuring rappers Nataanii Means (son of Russell Means), Stuart James, Antoine Edwards, Jr. and Mike "Witko" Cliff.
Cliff said he felt #NativeLivesMatter wasn't a movement as much as it was a way to spread awareness. "We're concerned when community members are being shot or harmed for no reason," Cliff said. "The show came up as something fun, good and positive to counteract all the bad things going on."
Cliff, 25, said that hip-hop was a way to draw people in and let them know he and others have something to say.
"People are worried about their lives mattering, and it's necessary that people recognize that," Cliff said. "I want people to recognize and realize that we want to get along with everyone else, but we want to be recognized and respected."
That's a feeling shared by Ritchie and Iron Eyes, something they hope to promote with a positive, drug and drink-free concert and show.
"Chase is very vocal on what he believes is needed to make social change, and he's pushing all of us to be more vocal, too," Ritchie said.
"All we want is fair and equitable treatment, to have a human life and not live in poverty," Iron Eyes said. "We want reconciliation and conciliation. But it's got to be real, and we want people to know that."

Monday, December 14, 2015

Lincolnton native’s star keeps rising in fashion world

Placed amongst a list of well-known celebrities that included Kendrick Lamar, Prince, Lester Holt and Janet Jackson, a Lincolnton clothing designer was recently honored with red carpet treatment at a Beverly Hills hotel.
Charles Harbison is featured in this year’s EBONY Power 100, a catalog of the African-Americans who best inspire, lead and demonstrate their individual talents. The Lincolnton High School graduate was feted at a Dec. 2 event held at The Beverly Hilton and hosted by Arsenio Hall.
“It’s intense in that EBONY is one of the magazines I grew up pining through,” said Harbison, now a Brooklyn, New York resident. “To be honored with Prince and John Legend and Jesse Williams, it was a really profound experience to be at the gala and just to be on the list.”
Earlier this year, The New York Post called Harbison a designer who was “about to blow up.” Beyonce wore his ensemble at a Kanye West fashion event and, in October 2014, Harbison was a guest at the White House for the first-ever “Fashion Education Workshop.”
Harbison attended North Carolina State University and held internships at Michael Kors and Jack Spade. After stints with Michael Kors, Luca Luca and Billy Reid, he founded Harbison, a company in his namesake, in 2013.
“Really, I initially thought Charles Elliott would be the name,” Harbison said. “But I was talking with a friend of mine who found my last name, we like the gender anonymity of it. It’s a bit more feminine and it’s a perspective that a woman is not wearing a garment with a man’s name on it. It’s a family name.”
Charles Harbison on the red carpet for the EBONY Power 100 awards.
Harbison is in the process of taking his company to the next level. That means building infrastructure and finding the necessary funding to take the next step. He is in the middle of sales for the mid-fall season and is working on building out his e-commerce site.
Reached by phone on Tuesday, Harbison’s day was consumed with appointments. He had been late to a meeting with a hat collaborator and from there had stops with a fabric contact and an intern appointment in his studio.
Harbison said his journey was “extremely difficult and quite simple.” It may also be categorized as quite random, with a stroke of luck thrown in. He was between jobs when images from his portfolio wound up in the hands of someone at Vogue. The magazine wanted him in its pages and profiled his work regularly. Vogue named him one of 11 designers who were shaping “the future of fashion.”
Vogue featured Harbison and two other designers in a video series a week before September 2014’s New York Fashion Week and his fall 2015 line was expected to be a hit.
A wide-ranging background — he studied fine arts, painting and textiles at NC State — is part of what Harbison attributes to his success.
“It’s a fusion of ideas,” he said. “My fine arts background is a really big deal…I love the graphic elements, I love modernism. That’s just fused also with the drawing process my mother did growing up.”
Harbison describes his company as a lifestyle brand. Though his focus is in women’s clothing, he’s also designed accessories, shoes and bags.
The next chapter in Harbison’s story may be getting big-name celebrities to wear his clothing at red carpet shows prior to prime time events. Beyonce has already reached out to him, Harbison said, and though unfamiliar territory, it’s a step he is eager to take.
“That’s a new process that I’m walking into and I’m walking into it with Beyonce,” he said. “That’s a new direction that I’m trying to take the business. I’m selective with whom I work. I like the process of being honest and collected. You want to align yourself with people who you feel represent the brand.”
He considers himself a working-class boy from rural North Carolina whose hard work and dedication has enabled him to carve out his own space in the Big Apple. And though the reviews are glowing and positive, as well as ever-present, Harbison said he doesn’t really take time to stare at his surroundings and bask in present glory.
“I don’t take time on Cloud 9,” he said. “I see how I could spend time on Cloud 10, Cloud 11, Cloud 12.”

Saturday, December 12, 2015

9 Moments From 'America's Next Top Model'

After 22 cycles, America's Next Top Modelis finally a wrap, having first premiered in 2003. To put that into perspective, I was in middle school when it first went on air and am now five years out of college. While many reality shows — especially in the realm of fashion — seem to come and go, ANTMmade a more lasting effort to create a more inclusive look at mainstream fashion.
Was ANTM perfect? Certainly not. I do not want to ignore the critique that the show played into racial stereotypes. But it also gave a place to some folks who mainstream fashion might otherwise have ignored, and that's worth recognizing.
As a fat, suburban teen interested in fashion, seeing plus size models competeon ANTM meant something to me. Plus size model Toccara Jones competed in ANTM in 2004, and while 2015 was a big year for body positivity becoming mainstream, it's significant that Jones appeared on ANTM 11 years ago, before the term was a buzzword.
The show created a platform for contestants who were openly gay, transgender, and living with disabilities, and this kind of visibility in such a big mainstream way was so important. So let's take a look back at 22 cycles ofANTM and smize about some of its more important, game-changing moments.
1. The "Short" Cycle
In 2009, ANTM cast 14 model hopefuls for Cycle 13, and all of them were 5'7" and under. In an industry in which even plus size models are still often held to a height standard, this decision was significant and helped tear down the idea that there's only one acceptable way to be a model.
2. Eva Marcille And Yaya DaCosta As Breakout Stars
The information for the "Where Are They Now" pages for most ANTMcontestants is probably a little harder to dig up than those of Eva Marcille and Yaya DaCosta, who came in first and second place on Cycle 3. These women are arguably two of the most successful contestants outside of the modeling world. Marcille has taken on a number of acting roles since her ANTM win in 2004 while DaCosta starred as Whitney Houston in the 2015 biopic. The modeling industry is still pretty white-washed, so to see the show launch the successful careers of two women of color is nothing short of cool.
3. Whitney Thompson As The First Plus Size Winner
Way before Ashley Graham and Tess Holliday became household names, Whitney Thompson was crowned the first plus size winner of ANTM in 2008. To see a woman size 12/14 earn one of reality TV's biggest titles at the time was huge for putting plus size fashion on the mainstream map.
4. Isis King As The First Trans Woman To Compete
Isis King was the first trans woman to compete on ANTM and appeared on the show in Cycles 11 and 17, in 2008 and 2011 respectively. Although King didn't win the competition, her participation in the show helped increase visibility for trans men and women. King became the first openly transgender model for American Apparel in 2012 and just this year was featured by Teen Vogue.
5. Winnie Harlow On Cycle 21
For a while, I didn't even realize that the now über-famous Winnie Harlowgot her start on ANTM's Cycle 21. Harlow was everywhere in 2015, including as the face of Desigual. She has spoken openly about having the chronic skin condition vitiligo and subsequently helped to remove some of the stigma associated with it.
6. The Photoshoots
Though there were certainly some misses when it came to photoshoots(looking at you, romance novel covers) many of the shoots tackled difficult issues such as the effects of smoking, youth homelessness, and the high cost of beauty standards. Others were just plain fashion forward and flawless.
7. Heather Kuzmich Shedding Light On Asperger Syndrome
In Cycle 9, Heather Kuzmich revealed that she had Asperger Syndrome, which can cause difficulties with social interaction and nonverbal communication. Kuzmich won our hearts and introduced many people, myself included, to Asperger's, while proving that she could still be a totally badass model.
8. The Male Models
Opening the competition to male models might not seem like that big of a deal, but it is when you consider that there is less visibility for male models in the fashion industry. And male models make 10 percent of what their female counterparts do. ANTM crowned Keith Carlos as its first male winner in 2014.
9. Nyle DiMarco As The Final ANTM Winner
On Dec. 4, 2015 Nyle DiMarco was named the last and final winner of ANTM.Though DiMarco was the last winner, he was also the first-ever Deaf contestant. DiMarco plans on using his platform to raise awareness and told MTV, "I hope my win helped shatter misconceptions about Deaf people. I hope my win will make people realize that we’re as normal as can be. I also hope my win will inspire Deaf people to do whatever they want to do in life! The possibilities are endless."

The possibilities really are endless for all of the faces and causes that ANTM, in its own way, helped bring into the sartorial and mainstream limelight.

Tuesday, December 8, 2015

After Ruining 73 Missouri Weddings, Ryan Crowell Is Back in the Wedding Business

There are few offenses as unforgivable in modern America as wrecking a wedding. Ryan Crowell found this out the hard way. "You would think that I committed the crime of the century in the way that this is treated," he says today.
Then a Kansas City wedding planner, Crowell made headlines in 2011 when the city shut down his historic venue — known as the Stowe Building in the West Bottoms — because of building code violations and his failure to obtain permits for renovations. Overnight, 73 weddings were cancelled and the heartbroken couples found themselves scrambling for new arrangements. The nuptial anguish led to a lawsuit from the Missouri Attorney General's office and, in 2013, a court ordered Crowell to pay $43,463 in restitution and $87,346.38 in penalties and fees.
Also in 2013, Crowell left Kansas City to start fresh in Texas — so fresh, in fact, that the website for his new wedding planning and photography business, based in Corpus Christi, fails to mention him by name and does not identify him as the owner.
He has good reason to lay low. Googling Crowell's name brings up a 2013Riverfront Times story describing the lawsuit brought by Missouri Attorney General Chris Koster, who called Crowell's business "a scam." And that, surely, wouldn't be good for business — even in Texas.
Crowell still bristles at the label.
"I get so tired of people saying I defrauded people for the money," he says. "Fraud is intent."
 
In Crowell's view, while he may have been guilty of poor planning, he insists his actions were well within the common practices of other wedding planners and venues, and that he never intended to pull a bait-and-switch on trusting couples.
He admits, however, that he used his customers' down-payments to fund the botched renovations, which meant he was unable to refund the the payments after the city shut the venue down. He didn't have any money to return, he says.
"It doesn't make me an admirable person, but it doesn't make me an ogre who took everyone's money and ran. I'm not the good guy here necessarily, but I'm not the bad guy here, too," he claims.
We should note that Crowell's latest business venture, Padre Ryan Wedding & Events — "Weddings on the beach in South Texas made easy" — seems to have built a positive reputation for its destination weddings in the Lone Star State. The company boasts a 4.9 rating (out of 5) on the consumer review websiteWeddingwire.com, and even the usual handful of dissatisfied customers aren't accusing him of being a con artist.
At the same time, Crowell acknowledges that he hasn't been able to pay any of the restitution or fees to the couples left high-and-dry in Kansas City.
"I want that to be paid, I want nothing more to be able to put this behind me, and if could just hand the couples $40,000, I'd take out a loan," he says. Sometimes, he adds, he will even spend a few dollars on a lottery ticket in the hopes that he can win enough to clear his balance. He also claims that the Missouri AG's office rejected his suggestion to set up a payment plan.
"I've made efforts to try to pay it," Crowell says. "I want to get rid of that number so I can stop living in fear. It's probably taken a couple years off my life, worrying about people calling me, watching my back, worrying about who wants to turn me in. All of this is a heavy cost for what amounted to not being able to get building permits."
We reached out to the Missouri Attorney General's office, and a spokeswoman provided this statement:
In February 2013, Jackson County Circuit Court ordered Mr. Crowell to pay restitution of $43,463.80 to 73 couples. When he failed to pay, we attempted to garnish bank accounts in both Missouri and Kansas, but Mr. Crowell had closed those bank accounts. We also have sent demand letters that have gone unanswered. To date, Mr. Crowell has chosen not to pay one penny of restitution since the judgment was ordered. His obligation to pay the judgment remains, and we will continue our efforts to collect.

Friday, December 4, 2015

Swedish Fashion Brands Gain Traction

Swedish fashion is having a moment.
While many labels hailing from the North have been quietly growing their footprint domestically, Swedish brands — and men’s wear in particular — are quickly gaining traction abroad.
“Swedish fashion is the fastest growing export industry in the country,” said Jockum Hallin, cofounder of Our Legacy, one of Sweden’s rising brands. “In 2014, fashion exports jumped 17.3 percent, excluding H&M — that’s three times as much as any other export industry” — a trend, he noted, that has been surging for the last four years.
Total sales for the industry stood at 264 billion Swedish kroner, or $3.8 billion at average exchange for the period, up 11.4 percent from the previous year — 65 percent of which were exports.
A minimalist approach and the Swedes’ obsession with function are key to the country’s success, according to Emma Hedlund, one half of Cmmn Swdn: “What makes Swedish fashion so successful is the business model — it’s long-lasting, which gives it a commercial appeal. Swedish fashion doesn’t shout, it can go directly from the show to the store.”
“This is part of our Scandinavian design heritage — it’s clean and timeless. We don’t add too many extras to make the garments last longer in your closet,” added Hallin, noting how the country’s culture, based on a healthy work-life balance, leaves individuals space to self-express while fostering an entrepreneurial spirit.
The success has taken even locals by surprise. “When Acne started with a batch of 100 jeans, distributing them to the cool kids in town, that was clever marketing, but nobody expected it
to become this big,” said Sofia-Li Molin, creative director of the Swedish Fashion Council, citing Tiger of Sweden, Filippa K, J.Lindeberg and Whyred among the pioneers who put Sweden’s men’s wear on the map.
Today, more than half of the applicants to the Swedish fashion council’s talent competition are men’s wear designers or unisex labels, she observed.
What connects them all is an elevated sense of sustainability that has led to much innovation. As Johan Loman, cofounder of Stutterheim, observed: “It’s very dark here most of the year, which forces people to stay occupied and do something sensible with their time. Sweden is a very small country, yet it managed to create a number of fantastic brands, not only in fashion but IT, mobile, gaming and design and other creative industries. Climate plays a big part in this.”
Here, some of Sweden’s Leading Fashion Lights:
BRAND: Our Legacy
YEAR LAUNCHED: 2005 with a line of T-shirts; 2008 the brand presented its first full ready-to-wear collection
RETAIL PRICE RANGE: $80 for a T-shirt to $1,500 for a shearling jacket
TOP RETAILERS: Mr Porter, Isetan, Liberty, Opening Ceremony
KEY LOOKS: Classic dress shirts done in suede are the brand’s signature.
BACKSTORY: The duo of Christopher Nying and Jockum Hallin started out as agents in the fashion industry. “We were selling other people’s brands and realized that a lot was missing. We were looking for classic men’s wear staples like a pair of chinos or a trenchcoat, but that didn’t feel like they were meant for a 60-year- old man,” Hallin said. “We grew up in the Nineties, so we reference that era a lot,” he explained, citing skateboarding, the Nineties’ club scene and the art of Joseph Beuys as influences. Cue a dress trouser teamed with a blouson instead of a classic blazer, which are produced in Europe from mostly organic fabrics in eco-friendly factories.
EXPANSION: Our Legacy runs four free- standing stores, with three in Sweden, one in London. In the next three years, the brand plans to set up shop in the U.S. “The U.K. used to be our biggest market outside of Sweden, but the U.S. is growing fast. It now represents 30 percent of total turnover,” Hallin said.
Stutterheim’s rubberized trenchcoat and Uniforms for the Dedicated’s linen pants.
BRAND: Hestra
YEAR LAUNCHED: 1937
RETAIL PRICE RANGE: Gloves from $100 to $525.
TOP RETAILERS: Bergdorf Goodman, Mr Porter, Tomorrowland
KEY LOOKS: Reindeer, peccary, deer and lambskin are among the fine leathers used by the glovemaker. The linings are silk, wool or cashmere. “We keep it clean and minimalist, because people in Sweden don’t like to dress up after skiing,” said Niklas Magnusson, the great-grandson of the company’s founder.
BACKSTORY: The brand started by supplying the region’s lumberjacks before branching out into ski gloves when the first ski slope was built in Hestra. Outdoor gloves still account for 60 percent of total business, though the brand’s fashion collection is catching up fast, putting its focus on the U.S. “Gloves are the quintessential Nordic accessories. Now it’s time to convince the New Yorkers. It’s freezing there, yet no one’s wearing gloves. We would like to change that,” Magnusson said.
CRAFTSMANSHIP: Hestra table-cuts gloves according to an old French tradition, which allows it to measure the elasticity that goes into each part of leather. Within a week, the gloves are said to adjust to the wearer’s hand and 0.1 mm often make a difference.
BRAND/DESIGNER: Uniforms for the Dedicated
YEAR LAUNCHED: 2008
RETAIL PRICE RANGE: From $53 for a T-shirt to $802 for a wool parka.
TOP RETAILERS: The brand boasts 180 points of sale, mostly in Europe and Asia, including Liberty, Isetan, Printemps and Luisa Via Roma. It is expected to launch in the U.S. in 2016.
KEY LOOKS: The label’s comfortably tailored wool suits and matching overcoats are a hybrid between street and chic. Sixty percent of sales come from recycled cashmere. By 2018, it expects to solely use recycled fibers.
BACKSTORY: Born out of a snowboard collective of “nature children,” as creative director Fredrik Wikholm put it, the label set out to make clothing “for inner-city customers with minimal impact on the planet…I say we make clothes for worried optimists — people who are great believers in the future, but are worried about how to get there.”
WHAT’S NEXT: UFTD has two sister companies: the award-winning “The Rag Bag” project, which encourages shoppers to recycle some- thing old when buying something new; and From Air, a textile company that produces fibers from methane emissions — due to launch in 2016.
BRAND/DESIGNER: Tärnsjö Garveri
YEAR LAUNCHED: The tannery, dating back to 1873, launched its private label in 2014.
RETAIL PRICE RANGE: From $64 for a key loop to $1,926 for a hand-finished briefcase.
TOP RETAILERS: Mr Porter, NK
KEY LOOKS: The Icon Briefcase. It comes with double-sided layers of leather and Nubuck lining instead of common fabric; there is a bonus document holder in the back and a replaceable handle, while hidden steel-reinforcements prevent sagging. The label, which accounts for 5 percent of the tanner’s total turnover, is slated to grow to 25 percent over the next five years thanks to new styles.
BACKSTORY: Tärnsjö’s in-house saddlery uses only vegetable-tanned leather. “The bovine hides, sourced from local farmers, are by-products of the meat industry. The cows live really long lives, which makes their hides thicker and more durable,” explained the brand’s creative director Simon Hjälte. Because the tannery only glazes the skin, it can breathe and develop a unique patina over time. Tärnsjö chose to stop supplying French luxury labels due to differences over price and quality, preferring to work with Our Legacy and Japanese Visvim instead.
FASHION ICON: Johan Renck (think TV series “Breaking Bad” and Beyoncé’s “Me, Myself and I”). “He is what we call ‘independently aware’ — he invests great money in how he looks, but he doesn’t give a s–t what other people think,” Hjälte said.
BRAND/DESIGNER: Stutterheim
YEAR LAUNCHED: 2010
RETAIL PRICE RANGE: From $295 to $1,200
TOP RETAILERS: Barneys New York, Isetan, Dover Street Market, Le Bon Marché
KEY LOOKS: A raincoat made of rubberized cotton with the brand’s signature matte finish.
BACKSTORY: When his grandfather passed away, Alexander Stutterheim found an old Swedish fisherman’s rain- coat among his belongings. It was “as big as a camping tent,” his partner Johan Loman recalled, so he updated it to fit modern standards. In less than five years, the production shot from three coats a day to between 500 and 800 a day. In 2016, the brand is looking to set up its first store in the U.S., a fast-growing market, where the company is expecting to close the year at $1 million in sales.
NEWS: The company has hired Patric Wallertz (previously with Uniforms for the Dedicated) as designer to grow the main collection and expand into new materials. His first effort will bow in fall 2016 and will include trenchcoats, classic car coats and bomber jackets in down as well as bonded cotton.
BRAND: CMMN SWDN
YEAR LAUNCHED: 2012
RETAIL PRICE RANGE: $76 for a T-shirt to $1,833 for a wool coat.
TOP RETAILERS: Harvey Nichols, United Arrows, Galeries Lafayette
KEY LOOKS: The bomber jacket, but not in the traditional sense. Instead, everything is deliberately off-kilter, reflecting the label’s roots in Malmö, in the south of Sweden. So there are short tops with long bottoms; elongated sleeves and cropped jackets. “Malmö is close to Europe and Copenhagen, so there is a different energy than in the north where Stockholm is. We think it’s quite cool to go against the flow,” said co-designer Saif Bakir.
BACKSTORY: Bakir and Emma Hedlund met while studying in London at Central Saint Martins and London College of Fashion. Setting up the design studio of Kanye West in Paris triggered the couple’s desire to have their own label. The brand, which shows its line during London Collections: Men, has just launched a global e-store. Sales are growing between 20 and 30 percent every season.
FASHION ICON: “Miuccia Prada for being unique and staying true to who she is every season,” Hedlund said.
BRAND: Tretorn
YEAR LAUNCHED: 1891
RETAIL PRICE RANGE: Between $65 and $170
TOP RETAILERS: Nordstrom, J. Crew
KEY LOOKS: Nylite, the canvas tennis shoe made popular on and off the courts by Björn Borg and Martina Navratilova, before attracting the attention of Jackie O and Farah Fawcett.
BACKSTORY: The brand’s success story started with rubber boots. Within three years after it formed, the firm had already produced 1 million pairs, eventually becoming a purveyor to the Swedish royal court. Though footwear accounts for 90 percent of its total business, the company also produces outerwear and tennis balls with pioneer micro-cell technology.
NEWS: Following in June the acquisition of Tretorn by Authentic Brands Group from Puma, the focus is on expanding the brand’s categories into apparel — outerwear and sportswear – as well as accessories — bags, head-wear and eyewear.
BRAND: Whyred
YEAR LAUNCHED: 1999
RETAIL PRICE RANGE: $214 to $643
TOP RETAILER: NK
KEY LOOKS: A double-breasted peacoat and a fishtail parka. “We did one called Highboy in 1999 — it’s still our best-selling item,” said Roland Hjort, the brand’s founder and head of design.
BACKSTORY: Hjort is one of Sweden’s longest serving designers. After doing men’s for H&M, he was recruited in 1996 by J.Lindeberg, before setting up his own label. “There was something in the air. Prada had just launched its new men’s wear, proposing blazers with nylon. Acne emerged around the same time. We just wanted to do something new,” he said. The brand was among the first to employ stretch, while drawing inspiration from art, which also provided the name. When Hjort’s grandfather, painter Sven Erixson, was asked in an interview what his favorite color was, he said red. “Why red?” the journalist questioned. “Well, blue, then,” he answered. “This very well reflected our own philosophy. We wanted to be free,” Hjort said.
FASHION ICON: Helmut Lang
EXPANSION: The brand’s new chief executive officer, Claes Stroby, hired in 2012, is implementing a new business plan, growing both wholesale and retail internationally. Total sales stood at around 100 million Swedish kroner, or $13.5 million, in 2014, as sales soared 30 percent year- over-year.

Tuesday, December 1, 2015

Condé Nast culls fashion talent in Asia via educational center

Media conglomerate Condé Nast is bringing its educational ventures to Shanghai with the opening on its Center of Fashion & Design.
Opening last week, the Condé Nast Center of Fashion & Design started its first round of courses with more than 250 participants. Designed to offer a foundation in the fashion industry, the Condé Nast Center for Fashion & Design offers one-day course sessions to 9-month full-time programs.
Schooled in Shanghai
The Condé Nast facility is located on Mid Huaihai Road in the center of the fashion and luxury retail district of Shanghai. Within the Center, students will have access to cutting-edge digital and educational facilities offering a benchmark learning environment.
Condé Nast’s space will also double as a multifunctional venue where fashion shows, conferences, exhibitions and other events can be hosted.
Vogue China's November issue featured the Apple Watch
The facility’s course schedule will open by Chinese New Year 2016 on Feb. 8. Courses included: Fashion Media and Digital Communications, Fashion Marketing and Branding, Ecommerce for Fashion and Luxury, Fashion Illustration for Beginners, Experimental Fashion Illustration, The Little Black Dress (Design, Cut and Make a Classic Style), Dress for Success, The Universe of Perfume and Fashion Photography and Styling.
While applications for the aforementioned courses are now being taken, Condé Nast plans to offer additional classes in fields such as visual merchandising, retail, digital marketing, jewelry design and fashion design.
Additionally, Condé Nast Center for Fashion & Design will offer a fully sponsored Protege Program for Advanced Fashion Design. This program, supported by luxury retailer ATTOS, is open to applicants from Mainland China, Hong Kong, Macao and Taiwan.
Scholarships will be awarded to students in December based on panel recommendations. The scholarship panel includes Angelica Cheung, editorial director of Vogue China, Susan Jenkyn Jones, senior academic director of Condé Nast Center and Timothy Goh, CEO of ATTOS.
“We are delighted to welcome our first participants, and to assist in creating the next generation of talent in the fashion industry,” said Dominique Simard, executive director of the Center, in a statement. “We will be capitalizing on the considerable authority and expertise which Condé Nast is known for, offering unrivaled access to what is recognized as a hard-to-enter industry, improving the participants’ chances of achieving their career goals.”
Due to the successful growth of its educational offerings, Condé Nast College of Fashion & Design in London expanded upon the classes available last year.
After noting an interest from younger readers between the ages of 16 and 18, Condé Nast has decided to begin offering “Miss Vogue” weekend courses. Condé Nast College of Fashion & Design’s main courses help to curate young talent among students interest in fashion journalism and styling.

Friday, November 27, 2015

Fashion show etiquette: DOs and absolute DON’Ts

Until the early twentieth century, the main way people saw new clothes, especially the latest from Paris, was on dolls. Around 1391 Charles VI of France sent Queen Anne of England a “fashion doll” wearing the latest royal court dress – she was the fashion ambassador of French taste.
In the 21st century, technology takes charge of spreading sartorial trends. Through social media like Instagram and Twitter, it’s easy to find out the latest in Paris, New York, London, Milan, Dubai, Kuwait, and Iran. These pictures are seen the whole world over while hundreds of thousands of people, including models, journalists, retailers, celebrities, and executives, participate in events across the globe. So here’s the question: what should – and shouldn’t – you wear to a fashion show?
While it can sometimes seem that the world has fallen victim to a sort of sartorial globalization, where jeans are welcome anytime, anywhere, the truth is more nuanced. You can wear jeans but you need to spiff them up. Make sure you’re wearing the latest trend – this season’s must-have denim comes with a cropped, slightly flared and frayed hem. And remember, what works in Singapore might be greeted with looks of horror in Paris.
And while you can pile on the gold and jewels in Greece, you’ll be perceived wearing all this jewelry as vulgar in Germany. So here are the rules on looking not just appropriate but actually stylish around the globe, in fashion events.
Simple: think your everyday style but elevated.
DON’T ignore weather conditions – if it’s cold, wear an appropriate outfit and leave your tiny shorts for summer!
DON’T wear shoes you can’t walk in.
Keep it elegantly casual. Unless you feel like you have to wear an outfit worthy of a thousand camera flashes like Lady Gaga or Anna Dello Russo and you’re up to it, then please refrain. Gone are the days when bloggers had to wear weird outfits to be noticed. The name of the game now, is trendy elegance.
I can’t say it enough, your best kept secret for looking like a million bucks is a tailor who knows your figure. Don’t just grab something off the rack and assume it will fall perfectly on you. Make sure the sleeves are not too long before you get to the show, or the hem length won’t be flattering.)
Unless you are a celebrity with some consistent spending means, there is no reason you should drop an entire month’s rent on a new outfit for the show. By all means do buy a beautiful investment piece that stands out and is re-wearable. But I don’t advise to invest in a designer piece just for this one show.
Put on your diva pout and wear your big sunglasses while on your way to the show. But, please, pull them off during the duration of the event. If trying to stay incognito, then stay home.
Most of the time, I’m all for fabulous over functional. And in this particular event it is not the time for ballet flats, unless you opted for those amazing pointed ballerinas by Dior! This is one of the only times your most decadent, beautiful shoes will have a reason to exist besides collecting them in your closet for your own visual pleasure and ego boost!
If you’re new to the fashion scene, I strongly suggest to bring a fashionable friend with whom you can chat and gossip!
Remember when I said earlier don’t go designer? That doesn’t apply to the handbag. I beg you do not carry a faux designer one; the real thing is a must.
If black is your comfort zone, make an effort and think you’ll be mingling with a fun, bright crowd, you don’t want to be singled out. A pop of color never hurts anyone, or simply go for a black and white outfit.
Elegance and refinement are key words in every occasion including fashion events. No need to flash extra flesh.
And remember, in such an egocentric milieu, most people are going to be so focused on catching a celebrity or busy taking selfies that they aren’t going to even notice what you’re wearing, especially if your shoes are from last year’s collection.)
Bad behaviour
Now that we covered your outfits let’s tackle your behavior.
DON’T block the view of everyone around you while you Instagram every look.
DON’T put on heavy perfume in a show, it is unacceptable.
DON’T post hundreds of blurry, horrible photos on Instagram and useless videos of every event you attend just to show how cool you are. I’m so unfollowing!

DON’T wear imposing hair styles or even hats in the front row. Remember there are people behind you…

Tuesday, November 24, 2015

Festive Fashion Faux-Pas

Holidays year round garner their own particular aesthetic, with the commercially crass hearts of Valentine, to the eye-sore bunny ears of Easter, and the attempted expressions of “interpretation” at Halloween. Yet the calendar year culminates in perhaps the tackiest holiday of all, and should you subscribe to any of the below, you should blush with shame as red as Rudolph’s nose. If not, then join me and bask in the icy towers of Grinchendom.
Paper Hats:
These hats have about as much structural integrity as your dignity. Ill-coloured and easily torn, these inventions are a statement of your temporal flimsiness – either commit to the bolder permanence of a Santa hat (God forbid, see below) or wear nothing at all. Moreover, I can’t help but cringe at the rate at which they spread. As soon as one person wears one, a chain reaction plague of paper hats (‘paper’ and ‘hats’ being two words that should never be used in conjunction with one another, I might add) takes the dinner table by storm, rendering your family scene with an aesthetic that resembles a poorly made Hallmarks card. The only thing these hats should be crowning is the bottom of a rubbish bin when torn in two.
Christmas Cracker “Jewellery”:
Sharing the same womb of cheap commercialism of Christmas crackers as paper hats, the so-called “jewellery” yielded is also sentenced to the bottom of the bin. Whether it be a supposed diamond ring (pause here for a scoff) or a hair-clip, it is frankly laughable that their production was ever commissioned in the first place.
Christmas Jumpers:
Ron Weasley, I’m sure, would take one of his mother’s christmas jumpers over the current disease of today’s christmas jumpers faster than he could say ‘Hermione.’ The plethora of jumpers nowadays, with their flashing lights, garish use of red, absolute abuse of the colour burgundy, and use of text, usually a variant of the word ‘festive’, is, as are all clothes which bear writing on them, unforgivable. As such, one should take joy in Made in Chelsea’s Mark-Francis’ damning charge against Christmas jumpers: “I put you in the same category as a battery chicken.”
Santa Hats:
To wear a Santa hat is to generally fall into two categories: you’re a drunk at a Boxing Day pub quiz, or you’re a middle-aged parent attempting to compensate for the lie you told us as children. My willingness to excuse Santa hats extends only to Santa Claus himself, and as he is confined to the realm of fiction and non-existence (take the validity of my exemption of him how you will).
Tinsel “scarves”:
As scratchy and itchy as the personality of those that wear them, refashioning pieces of tinsel to resemble a scarf is festive appropriation taken too far. At least it conceals your Christmas jumper beneath though - there is a silver-tinselled lining.
Onesies:
Return it to the rack in Primark from whence it came. They are not cute. They do not qualify as a costume. Nor do they qualify as pyjamas. Their function and existence in this world is as confused and misguided as your decision to purchase one. Onesies are one thing: the ultimate sign of tackiness.
Stockings:
Should stockings actually fit anyone out there, then might I suggest you put down the minced pie(s) you’re currently holding. And to Big Foot, may you have a warm and comfortable-footed Christmas.

Friday, November 20, 2015

Meet Fashion’s New Favorite Erotic Model

On a Monday morning in Stoke Newington, London, the model Tessa Kuragi arrives for our brunch wearing a leather harness. In fact, it’s the “Tessa Harness” by Tamzin Lillywhite, named after her, and it snakes across her stomach, up her breastbone, and around her throat. She’s wearing it over a black turtleneck sweater; she has dozens of freckles, velvety red-wine lipstick, and an immaculate blunt bob. At first glance, I think of both Louise Brooks and Wednesday Addams.
“I’ve got a weird baby face — it’s ridiculous,” she says. Her voice is a little gravelly, and full of laughter. “If I do certain pictures and I’m not wearing makeup, I look like I’m 11 … Which is cool, because it suits my alter ego, who is probably about 5.”
You may know Kuragi’s striking face, with its European, Asian, and Jamaican heritage, from her 2014 Diesel campaign — or her shoots with Olivier Zahm for Purple magazine. She enjoys the ambiguity around her age (and therefore will not confirm it) because for a long time, she has harnessed the sweetness of her face for erotic purposes. That little-girl alter ego can be innocent and submissive, but is formidable in her own way; since long before the fashion work materialized, Kuragi has been posing for art photographers and filmmakers, sometimes in bondage, and often in surreal, sexual settings.
In person, there is an erotic power about her. Much of it comes from her intellectual confidence: She has a broad cultural framework, and when she talks about her work, she makes reference to creatives like the Japanese artist Araki, the photographer Francesca Woodman, and the writer Philip K. Dick. But there’s no denying that as well as an overflowing stock of ideas, Kuragi also has a classic pin-up’s physique her figure is an abundant hourglass, often wrapped in corsetry, and she has creamy, clear skin. She is innately sexy. For Zahm, she posed in Christian Louboutin’s Hot Chick stilettos and a selection of harnesses, arching her back against a zebra-print rug, and hanging elegantly upside-down from a chair. “She transforms herself into this fetish, erotic object,” Zahm tells me. “I love this kind of girl, who is able to create a sort of fiction in her own life.”
Kuragi has embraced sadomasochism both personally and professionally — and credits it with freeing her from bad relationships. “I used to go out with a guy who was horrible, but sexually I found him really exciting. When [I started modelling], it was an exploration of my own sexuality. I was like ‘There’s this thing called S&M, and it’s consensual, and it’s just a role-play, so they don’t have to be bastards.’ It was an eye-opener. I thought ‘This is great — I don’t have to go out with horrible men anymore.’”
This realization was triggered by her first happy relationship, with the photographer Marc Blackie, whose work jarringly combines eroticism with the uncomfortable and sinister. He was the first person to tie her up for a shoot, and introduced her to many more artists with whom she worked and continues to work. “With my favorite shoots, I’ve had a relationship with the photographer, sometimes for years,” she says. “It’s very important to me that they really know what I’m about and they can portray that, and I can collaborate with them to produce a work that I feel means something.”
Fashion didn’t enter much into Kuragi’s work until last year, when Nicola Formichetti came across her in Sang Bleu magazine and cast her for the SS14 Diesel campaign. “I remember I was in Marseille on a shoot and I got this phone call from a casting director,” she says. “It was like, we’re flying you first class, putting you in this nice hotel, and you’re going to work with Inez and Vinoodh … So it was a kind of Cinderella moment. I mean, not that I hadn’t been in very rich artists’ houses, but that was a very different world; fashion wasn’t really something that I’d thought about.” She nailed the pictures — Diesel used the very first photograph of the day.
Following the campaign, Kuragi was signed by Premier Artists, the talent division of Premier Model Management. “We do send her out as a model, but she already has a bit of a profile,” explains the division’s director, Emily Sykes. Fashion work has continued to come in, though “realistically, I’m not going to be doing toothpaste commercials,” says Kuragi. “Commercial modelling is out.” When I ask her how she defines herself, she suggests “something like ‘surrealist muse’ — I imagine myself as somebody who would’ve posed for Man Ray.”
Sykes has been impressed by Kuragi’s ability to attract high-end work; the photographers Mario Sorrenti, Emma Summerton and Ellen von Unwerth have all reached out to her. “I think mainly it’s because she is exceptionally comfortable with herself,” Sykes says. “There’s a real confidence about her — a power and a femininity and a sexuality that she comes with, and I can see why a lot of creatives are getting in touch and actively wanting to work with her.”
Mickey Boardman, editorial director of Paper magazine, is among those in fashion who are observing Kuragi from afar; he thinks she’s bringing something that the industry often lacks. “So much of fashion, where women are involved, is asexual — because a lot of it is 16-year-old girls who are beautiful and fabulous, but who are adolescents,” he says. “They can be sexy in a way, but not in the same way that Tessa can be, because she is va-va-voom. Just looking at her, I get a giant sex vibe — and I’m gay.”
Of all Kuragi’s recent work, her favorite has been a major shoot in the autumn-winter 2015 issue of AnOther magazine, which was photographed by Nick Knight and styled by Katy England. “Nick found me on Instagram,” she says. “We were emailing back-and-forth for maybe three months, talking about what we wanted to do — to combine fashion with his take on my story. I told him to read a book that I really like, which is George Bataille’s Story of the Eye, and I was sending him my dreams. Maybe I wanted to do something with my fantasies, too.”
When I call Knight, he is effusive about working with her. “I said to her, ‘I want to do a story about fantasy and reality,’ and she said ‘Well, my fantasy is my reality.’ I thought that was rather lovely,” he recalls. For one of the images, fabric was pinned in several places through the skin of her arm – very much of her own volition. “Part of the reason that I’m excited to work with her is because you’re not imposing something on her – this is something that comes from her,” says Knight. “Her sexual fantasies are very heartfelt and very strong, and seem to be very present in her life. And something feels much more exciting about working with somebody who is actually like that, rather than imposing those fantasies on somebody who is a model, who perhaps doesn’t really know how she feels about her sexuality. Tessa’s very aware of her sexuality, and very aware of her joy in experimenting.”
This kind of collaboration with a photographer is, for Kuragi, the pinnacle of her working life. “I think people sometimes underestimate how much I’m involved in creating a picture from the start, rather than just showing up to a shoot and doing what I’m told,” she says.
Though she grew up in Kingston, Jamaica, she found the Christian country too restrictive and conservative: She tells me that even oral sex is considered perverted there, though everyone does it behind closed doors. She is not in contact with her Jamaican father, but still close to her English mother, who has – with some effort – made peace with Kuragi’s work. “She said to me one day, ‘I can see it’s your catharsis, it’s your way of managing whatever’s going on in your head, and it’s your art.’ So she’s fine with it [now], although she still makes the odd comment.”
Kuragi has been in London for about 15 years, and after brunch she takes me for a walk in nearby Clissold Park. Later, she will go to her day job — a part-time career that runs parallel to her modelling — but she doesn’t want to talk about it. It is a part of her identity that belongs not to Tessa Kuragi (a pseudonym that was inspired by the Japanese word for jellyfish), but to the other Tessa — and her real last name remains private, too.
She does, however, talk about her boyfriend, graphic designer Jon-Ross Le Haye, with whom she has recently published Bruise Album. The book is a limited-edition, Victorian-style album of photographs of Kuragi’s bruises, each of which was created by a sexual encounter. “I find them pretty,” she says. “But it’s more than that, because they signify a receiving of violence or pain as a mark of trust and sacrifice and devotion. It’s a visual reminder of something you’ve endured for someone that you care about — and usually quite an intense moment.”
Now that Kuragi has a fashion career, it will exist alongside these personal projects, not instead of them. She sees herself “probably strictly in high fashion, or anywhere where fashion crosses over into art,” and she’d like to work with Yohji Yamamoto and John Galliano — or Alexander McQueen if he were still alive. “I have so many ideas,” she says. She has skipped the early “go-sees” stage of modelling, and entered the industry with a firm sense of who she is and who she could be. “I think she’s crafting her own image,” says Knight. “It’s a powerful position to be in.”

Wednesday, November 18, 2015

9 Strange Fashion Trends From History

You might have wasted some serious energy and emotion lamenting the fashion trends of this past year (like teddy bear shoes or the whole gorgeous gothic thing), but believe me when I tell you that culottes and mermaid hair have nothing on a certain nine weird fashion trends from history. Granted, these nine garments and practices might not seem strange at first glance, but when you take a closer look and examine the cultural and social environments that surround them, things start to get a little bizarre.
While many centuries-old fashion trends were focused on making women look more appealing, they were also used as a means to control and socially identify the wearer — men included. And though fashion has arguably always been politicized, sometimes it's fun to leave the serious side of things behind in favor of examining all things strange, unusual, and over-the-top.
Below are some of the most bizarre fashion trends ever, taken from Medieval times, the Tudor era, and more. So learn a little about aristocratic fashion's odd and slightly off-putting history. When you find out the reason people used to wear powdered wigs, you're going to be really glad they're a thing of the past.
1. Black Teeth
In early Tudor England, sugar wasn't readily available. By the time that Elizabeth I came around, it was everywhere (though at a very high cost), and the Virgin Queen had a thing for sweets. According to The Telegraph, her teeth were black and decaying, and some folks even complained that it was hard to understand her. Though Elizabeth's teeth were a product of a sweet tooth (and a whole lot of neglect), they also sparked a short-lived fashion trend in England: Women purposefully blackened their teeth to prove that they had enough money to buy sugar.
2. Hobble Skirts
"Hobbling" is a term for tying an animal's legs together to prevent it from running away. In the early 20th century, the hobble skirt attempted to do the same to women. Designed specifically to slow women down and prevent them from taking large steps, the hobble skirt is certainly symbolic of how women were viewed at the time. According to the Metropolitan Museum Of Art, the first hobble skirt is credited to a French designer called Paul Poiret, who eschewed petticoats for this sleek, crippling silhouette, while also forgoing the then-popular corset. "Yes, I freed the bust," Poiret once wrote. "But I shackled the legs."
3. Bombasting
Ladies, if you stuff your bras, feel no shame: Your impulse to pad out your clothing has some historical significance. Popular during the Elizabethan era, men and women used to bombast their sleeves to create large, "leg-of-mutton" arms. Men would also bombast their doublets to create a filled out belly, a symbol of prosperity at the time.
4. Codpieces
Men trying to prove the power of their penises has been a thing long before the existence of the dick pic, and codpieces were the penis enhancements of the 15th and 16th centuries. They were made out of a variety of materials — sometimes even carved from (ahem) wood — and served to make men feel good about their members.
5. Powdered Wigs
Many people will recognize the powdered wigs of the Middle Ages, but not many are as familiar with their tie to syphilis. In Epidemics And History: Disease, Power, And Imperialism, author Sheldon J. Watts explains their significance: Back then, many of those in the upper and middle classes had the disease, which produced some raunchy symptomatic smells — and not to mention, baldness. To cover the smell, many people wore goat, horse, or human hair wigs called perukes. The wigs were powdered in scents like lavender and orange, to cover the stink coming from down below. The trend caught on when Louis XIV started wearing them. And yes, he had syphilis, too.
6. Chopines
If you thought a stilettoed Louboutin was hard work, your ankles and toes are going to quake in fear at the thought of chopines. Popular with Venetians in the 16th and 17th centuries, the shoe attachment was invented to help women walk through muddy streets. However, the practicality of the chopines soon turned to fashion, as being tall signified that you were an important, wealthy person. Sometimes, a lady's chopines were so high that she needed an attendant to maintain balance.
7. Bloomer Suits
The garment was interesting in and of itself, but perhaps more shocking was the general public's reaction to it. Here's how the story goes: An 1851 temperance activist named Elizabeth Smith Miller wore a bloomer suit, which consisted of loose trousers gathered at the ankles, topped with a short dress or vest. Other women found it sensible, but those who wore it were frequently harassed on the streets for being too lascivious, according to the BBC. Basically, the bloomer suit came with the same shaming as today's modern day mini skirt. As a result, the trend of wearing the bloomer suit died out.
8. Macaroni
It's not just your favorite hangover dish, but rather a delightful and strange fashion trend from the mid 1700s. Remember Yankee Doodle Dandy, and how he stuck a feather in his cap and called it macaroni? That lyric is in reference to young French men in the 1750s, who took Italian fashion to the extreme.
The most notable element of macaroni fashion was a huge wig with the tiny hat (or feather) on top, but it also included flashy waistcoats, bright stockings, and fancy buckled shoes. According to The New York Times, macaroni men also made up their own language (a combination of French, English, and Italian), making their dandy club of frippery and fashion even more exclusive.
9. Crinolines
The crinoline was a hoop skirt worn under the frocks of the 19th century, and it was made from horsehair, wood, or sometimes even steel. Intended to push the skirt out and give the wearer the appearance of big, regal hips, the crinoline was also incredibly dangerous.
According to the FIDM Museum And Galleries, there are tales of women getting caught up in gusts of wind, being tossed off of cliffs, and getting caught in carriage wheel spooks — yikes. There are also stories of women not being able to escape from burning buildings due to the width and stiffness of their skirts. In 1863 in Santiago, Chile, thousands of people died in a church fire caused by a gas lamp. Many of the victims were women, as their large crinoline skirts got caught in the door.
From syphilis-masking postiche to skirts that could cause your untimely death, the fashion and beauty trends of the past were clearly a dangerous and strange force to be reckoned with. All things considered, reaching for a pair of trend-seeking culottes doesn't seem so bad, does it?

Saturday, November 14, 2015

Vivian Wise keeps fashion close to heart

At a recent private showing of Nicolas Ghesquière's resort collection for Louis Vuitton at its Galleria store, Vivian Wise chatted with guests about seeing the show for first time in Palm Springs in May.
She described Ghesquière's sequins, flip flops, sweatshirts and leather pieces as breathtaking. "It's quite incredible that a little girl from El Paso was there to experience such a beautiful collection," she said of herself
Wise, 43, is more than a fan of fashion. She's a style eccentric who was born and raised in the Texas border town, a "weird wonderful place to grow up."
"It's a big city and small town," she said. "But just because we were in the middle of nowhere doesn't mean we didn't have style. We made it with what we had."
Her father, lawyer Bill Wise, founded El Paso Natural Gas and was CEO of El Paso Energy until he retired in 2003. Her mother, Marie Figge Wise, is an impressionistic painter. She has two younger sisters - Genna Evans and Mary Elizabeth Sand - who also later moved to Houston.
Wise said she fell in love with fashion early and looked to her grandmother, Elizabeth Kahl Figge, for inspiration.
"She was always impeccably dressed. She wore corsets and would go to Paris for the shows," Wise said. "She always said, 'Dress the way you want to feel.' She understood a wardrobe is the best elevator for your mood."
Vivian Wise, founder of the Heart of Fashion, which is Nov. 18-20 at the Millionaire Club at Hobby Airport. Photo: Phoebe Oé­Rourke
Wise embraces that philosophy, while adding her own eclectic spin to her style. She would tie many bows around the curls in her hair in high school just to be decorative. She'd wear a 1940s pencil skirt with an angora sweater one day, then dress up in combat boots and a hat the next.
"I've always been weird, and I've always been fabulous. I came into the world that way," said Wise, who ended up with pink hair three years ago by accident and kept it because it made "her mother crazy."
A graduate of the University of Colorado in Boulder with a degree in English literature, Wise opened the Velvet Slipper luxury shoe store in Boulder in 1996. She opened a second location in Uptown Park in 2000 and maintained both for a while, then decided to focus on Houston.
In 2004, she went through a divorce and closed the store then spent the next decade trying to get the "wanderlust and gypsy out of her soul and grow up," she said.
In 2014, Wise transformed an Airstream trailer into a luxury fashion-event concept which she calls Babette and rents out for private parties and special events. Later that year, she partnered with Jared Lang, founder of FashionHouston, a four-day fashion week that was last held November 2014. Their business relationship dissolved in April.
"We should have talked it out further before we partnered because we had a very different idea and vision for the event," she said.
Now she's trying a new approach, and on Wednesday, she'll unveil "The Heart of Fashion," a three-day runway fashion event at the Million Air near Hobby Airport. Featured designers include Cushnie et Ochs, Angel Sanchez, Peter Cohen, Ungaro and retailers M. Penner, Stag Provisions, Valobra, Neiman Marcus, Tootsies and Sloan Hall.
Proceeds from each night go to one of three charities: Meals on Wheels, Legacy Community Health Services and Butterflys and Bandages.
Her mission is to celebrate fashion, while helping the community. "You have to take care of the world and looking pretty is a major bonus," she said.
Home: Highland Village area
Personal style: Eclectic
Style heroes: Her grandmother, Elizabeth Kahl Figge
Must keep: Sergio Rossi crystal-birdcage stiletto booties. "Like diamonds on your feet."
Number of shoes: More than 1,000. "I owned a shoe store for nearly 10 years. I never took a salary, but I did take shoes."
Favorite accessory: Hats
Item she should toss but can't: University of Colorado hooded sweatshirt
Collectibles: Items from her travels, such as a Buddha from Bali and a crucifix from the Vatican.
On her bedside table: A photo of her Yorkshire Terrier, Olive, Kit Kat candy and a box of Tiff's Treats cookies, which are delivered with ice cream to her home.
Recent purchase: A Dolce & Gabbana men's fedora for herself
Most regrettable purchase: A BMW SUV. "If I drove over 60 mph, the hatch would pop open. It was possessed."
Must-have beauty product: Liz Earle Hot Cloth Cleanser
Favorite smell: The Tocca "007" candle. "It smells like Bounce dryer sheets. The most comforting smell ever."
Favorite saying: "It is what it is."
Favorite dessert: Cookies and cupcakes
Favorite book: "The Hotel New Hampshire" by John Irving
Knew she was grown ...: "When I turned 40 and called off my wedding. My reception became my birthday party, and I checked into rehab the next day. That's the day I grew up."
Guilty pleasure: Trashy romance novels and Doritos.

Tuesday, November 10, 2015

New fashion experience... where local and global styles come together

It is well known in the fashion world that if your design has not really made it to the Vogue, then you still have a lot of work to do. No matter how digital the fashion publication is turning to out be, nothing will really be even close to browsing a physical issue of the world’s pioneering and number one fashion magazine. It is not just a magazine; over the time, it has turned into a huge institution of fashion — developing, creating fashion, giving inspiration and guiding designers.
So it came with no surprise when Vogue Italia, at the instance of editor in chief Franca Sozzani, decided to collaborate with the Dubai Mall management, Dubai Design and Fashion Council and Emaar properties to bring to Dubai for a third year in a row The Vogue Fashion Dubai Experience (VFDE).
The event, which was held on two consecutive days on Oct. 29-30 at the Dubai Mall, kicked off with a press conference held on the annex by the Burj Khalifa. Sozzani expressed how content she was for the VFDE to be back this year again in Dubai. She explained how every year she could see the tremendous change and development of the design sector in town. She said Dubai now is the land of opportunities, especially in the artistic field.
"The VFDE not only brings the best of fashion in the world to Dubai but also serves to encourage the next generation of designers,” said Sozzani. “We believe that it is important to provide emerging talents with credible platforms to present their works to the world. As a new global fashion capital, Dubai is an ideal destination. We are impressed by the works of the young talents and look forward to watching their evolution in the global fashion industry.” she said.
“Right from the first edition of VFDE, we have been placing a firm emphasis on the event to serve as a magnet for new talent and creativity. VFDE has not only positioned Dubai and the Dubai Mall as referral points in the global fashion dialogue, but also serves as a platform to nurture emerging talents. It will provide spectacular showcases of global fashion trends and highlight the skills of emerging designers from around the world.”
Mohamed Al-Abbar, the chairman of Emaar properties, said: “The first two editions of VFDE have established Dubai as a fashion capital that offers a world-class retail infrastructure and welcomes luxury shoppers from around the world led by its central geographic location. The Dubai Mall, the world’s most visited retail and leisure destination, today is the hub for luxury retail, and has been a driver for growth for the fashion scene across the region. The VFDE further serves as the nurturing ground for new talents, several of whom have evolved as international fashion professionals. With the enthusiasm that the event has generated internationally, we are confident VFDE-2015 will set new benchmarks and add to the pride of Dubai as a creative hub.”
Nez Gebreel, CEO, Dubai Design & Fashion Council, said: “More than a celebration of fashion, VFDE-2015 gains international relevance in its commitment to scout, nurture and promote emerging designers. The event complements the vision of Dubai Design & Fashion Council to nurture the next generation of design and fashion professionals in Dubai, which in turn will add to the city’s creative economy.”
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At the Dubai Mall, Star atrium section, 25 young designers (who were finely picked from hundreds and hundreds of applicants from Africa, Gulf and Far East) were showcasing their creations. The designers are part of the globally famous "Who is on Next? Contest," an event that’s usually organized by Vogue magazine in many countries to help discover and develop young clothing and accessories designers.
The VFDE is acting like a huge platform and a talent scouting initiative, to support and expose their emerging talents to the world. The finalists were picked by a panel of world renowned fashion experts. They are Adriaan Kuiters, Maxhosa and Sindiso from South Africa; Beyond closet, J moon and Byungmnnu Seo from South Korea; Xiao and Jourden from Hong Kong; Dent De Man from Ivory Coast; Elio Abou Fayssal and Hussien Bazaza from Lebanon; Faissal Al-Malak from Palestine; Maryam Omaira from the UAE; MAX.Tan from Singapore; Sulvam and Ujoh from Japan; and Yirantian and Youjua Jin from China. The finalists for the accessories are Absense from Taiwan, Anita Quansah and Brother Vellies from Ghana, CA&LOU from Switzerland, Matters Matters from Hong Kong, Nathlie Trad from Lebanon and Susana Traca from Angola.
The exhibition was open for media and at certain timings to the public as well. Besides this, there were many rewards like have all of the winners’ designs displayed at a temporary pop-up shop in Bloomigdale’s — the department store by the Dubai Mall.
Later on, by the evening of Thursday, Oct. 29, a fashion show was held at the fashion avenue of the Dubai Mall, presenting the latest collection of eight international labels. The designers were Reem Al-Kanhal from Saudi Arabia, The Kayys from Qatar, Krikor Jabotian from Lebanon, Studio 189 from Ghana, XIAO LI from China, L72 from the United Kingdom, Arthur Arbesser from Austria and Melitta Baumeister from Germany. The fashion show was open to a select few. However, the Dubai Mall visitors were able to enjoy it as well through huge screens. The fashion show was hosted by supermodel Carmen Kass, who was accompanied by the world’s top super models and fashion celebrites like Eva Herzigova, Mariacarla Boscono, Magosia Bela, Franca Sozzani, Bianca Brandolini and Eugenie Niarchos. They made an appearance along with French shoes designer Christian Loubotin and fashion personnel from various cities.
The second and concluding day started with a busy schedule. By noon, there were the fashion talks held again at the fashion avenue of the Dubai Mall. Three fashion moguls delivered speeches on fashion issues and conflicts. The lectures were convened by fashion editor Jessica Michault.
Louboutin opened up to the audience and told them about how he got started. He talked about his inspiration, his vision, and also gave success tips to young designers.
Miroslava Duma, the Russian Ex-Harper Bazzar editor and the owner of Buro247.com — the world’s biggest digital fashion hub also spoke on the occasion. Mira, as she likes to be called, talked about how she started a fashion career in communist Russia and the challenges she faced and how her country has evolved in fashion in such a short time to be competing for the title of the next fashion capital.
Mira explained the importance of social media channels and how they affect the sales and careers of young designers. She gave importance tips on how to get the most benefits from just sharing a photo online.
Silvia Venturini Fendi, the third generation and heiress of the Italian fashion house Fendi, talked about her experience and how she, out of all her cousins, chose to pursue a career in fashion and how could she successfully managed a huge name like Fendi and worked to develop it further.
To elegantly end this year’s VDFE and announce the Who is on Next? winners, a sophisticated dinner was held at the Armani hotel’s pavilion overlooking the magnificent scenery of Burj Khalifa’s dancing fountain.
The theme for the annual vogue’s gala dinner was "White Wonderland," everything at the pavilion was dressed in purely white color — from the interiors to the guests’ couture dresses. Among the fashion celebrities who attended were Christian Louboutin, CEO of Louboutin; Peter Dundas, creative director of Roberto Cavalli; Silvia Venturini Fendi, creative director for Accessories & Men’s Lines & president of Alta Roma; Philipp Plein, creative director; Alberta Ferretti, creative director; Carlo Capasa, president of Camera Moda; Federico Marchetti, CEO, Yoox Net-a-Porter Group; Raffaello Napoleone, CEO of Pitti Immagine; Imran Amed, founder of BOF.com; and Miroslava Duma, founder of Buro 24/7.
There were also supermodels Mariacarla Boscono and Eva Herzigova, as well as a number of surprise VIP guests. The event was hosted by Eva who announced that all the gala dinner’s fund would be given to help stop the starvation in Ethiopia due to lack of rain this year.
The jury announced the winners who will be able to have amazing opportunities to showcase their collections at a number of high-profile events in 2016, including Pitti Uomo, Florence; Altaroma, Rome; Milan Fashion Week; Palazzo Morando during the September edition of Milan Fashion Week and have the opportunity to sell on yoox.com, the world’s leading online lifestyle store for fashion, design and art.
To end the beautiful night, former model, actress, France’s former first lady, songwriter and singer, Carla Bruni Sarkozy, regaled the guests by singing some of her beautiful songs, followed by a breath-taking performance by celebrity singer Cheb Khaled, who flew especially from Paris to Dubai to entertain Vogue Italia’s gala dinner guests.

Sunday, November 8, 2015

Falling Out of Fashion

Where have all the teen mall rats gone?
Many of them were inside the Apple store at Cherry Hill Mall on a recent Friday.
Including Isaiah Etienne, 19, of Sicklerville. He used to hit the shoe and clothing stores at the mall weekly. But that changed after he turned 18.
"I've definitely slowed down on the clothes and sneaker shopping," Etienne said. Instead, a chunk of his cash now goes toward electronics. He was at the Apple store to replace his new iPhone6S, which he recently cracked by dropping it.
The scene that day helps explain why once dominant teen retailers - such as Aéropostale, American Eagle Outfitters, and Abercrombie & Fitch - are closing stores.
A 2015 Retail Real Estate Report by consultant DTZ stressed that the trio was getting hit hard by online shopping. The report projects Aéropostale closing 175 stores through 2017; American Eagle, 150; and Abercrombie, 170.
All three stores sat virtually empty from 4:30 to 6:30 p.m. that Friday at Cherry Hill Mall.
"Teen retailers are in a high-risk, high-reward business - a trendy fashion appeal with a fickle customer base," said New York retail consultant Howard Davidowitz. "The decline is a long-term trend."
Industry experts cited four reasons:
Competition. "Fast-fashion" retailers (those with quick turnaround that buy in bulk and sell cheaply) now dominate. Examples include Forever 21 and H&M.
Disposable income. Teens' priorities have shifted from clothing to gadgets and eating out. Gadgets and electronics now account for a much higher percentage of teen expenditures than ever before, a recent Piper Jaffray report found. And for the first time in 13 years, teens last year spent more money on eating out than on clothes.
Brands have become less important to teens. Abercrombie, for example, is taking its logo off merchandise. Teens say they no longer want it.
Abercrombie & Fitch is taking its logo off merchandise as brands become less important to teens. "Logos that are across your chest are totally out," one young buyer said.
No longer the teen hangout. Teen mall traffic has fallen by 30 percent over the last decade, a trend that has quickened since 2007, the Piper Jaffray report says.
"Traffic is dramatically down" for teens, though visitors overall have held steady, said Simeon Siegel, senior retail analyst at Nomura International Inc. in New York. "Now you need to give me a reason to walk into the mall.
"The Internet has had the most impact," he said. "The market used to be an oligopoly where five companies controlled the real estate and allowed their stores to control the teen fashion mind-set. The Internet took away the barriers to owning a store, and also created a much greater sense of information. . . . Uniformity is no longer in."
James Cook, Americas director of research and retail at Jones Lang LaSalle, said, "The difficult truth for fashion retailers is the very nature of their business: They do go in and out of fashion.
"Teen shoppers are an especially fickle bunch," Cook said. "The fashion retailers that are struggling at the moment have had trouble offering the right blend of price and style."
Joe Coradino, chief executive officer of Pennsylvania Real Estate Investment Trust (PREIT), which owns several malls in the region, said teens continue to influence household spending.
Across PREIT's portfolio, teen fast-fashion retailers such as H&M and Forever 21 drive substantial foot traffic. At his firm's Cherry Hill Mall, teen retailers generate about $77 million in annual sales, or 25 percent of total non-anchor store sales.
"Although this generation has practically grown up with mobile devices, they still prefer the brick-and-mortar experience," Coradino said. "Shopping truly is a social event, which best manifests itself in a mall environment."
He said PREIT malls have added mobile charging stations, WiFi, and iBeacons, allowing advertisers to target nearby consumers.
Simon-owned Oxford Valley Mall in Langhorne is doing what it can to buck the teen trend. After an expansion, the mall now has the largest H&M in the region. It added several teen retailers - Garage, Cotton On, and Gap - over the last year. Hot Topic and Forever 21 were renovated. Clothing retailer Rue 21 will open there this Thursday; f.y.e., which sells and buys DVDs, CDs, and games, opens Friday.
Jim Malervy, the mall's director of marketing, said that, on average, teens spend $60 per visit at his mall. Clothing is still No. 1, with electronics No. 2.
He uses Facebook and Twitter regularly to reach teens and their parents.
Malervy said that teens account for about 50 percent of mall traffic on Friday nights.
"You have to accommodate their needs and wants," Malervy said. "They influence a lot of decision-making - not by them, but their parents. They have a lot of buying power."
And they eat out a lot.
Besties Julia Braungart, Jenna Belz, and Brooke Albright, all 17 and seniors at Camden Catholic High School, enjoyed dinner at Bistro at Cherry Hill Mall on a recent Friday. They also did little shopping.
"We're dressing more casual," Albright said. "No more logos and brands. Logos that are across your chest are totally out."

Thursday, November 5, 2015

10 Life Lessons From Cindy Crawford

Cindy Crawford—supermodel, mom, and mogul—has led a remarkable life. From working with the biggest names in fashion to posing for countless now-iconic images, Crawford is an enduring force within the fashion industry, and ever since the late September publication of her autobiography, Becoming, she’s now become something of a font of fashion wisdom. Crawford celebrated the release at The Irvington last week, and with famous fans like Tyra Banks spotted reading the book, there feels like no better time to delve into the biographical tome.
Imparting advice from Crawford’s extensive career alongside legendary photographers like Richard Avedon, Irving Penn, and Steven Meisel, the book provides insight on everything from Crawford’s initial reaction to George Michael’s “Freedom! ’90” music video to what it’s like to go toe-to-toe with Helmut Newton. Introspective, self-deprecating, and, best of all, honest, Crawford provides budding models—and model fans—with plenty of words to live by. Here, the Tao of Cindy:
1. There’s much more to modeling than a blank expression.
“I always credit [Richard] Avedon with teaching me how to do a cover. He insisted how important it was that I, as the model, always have an idea in my head when I looked into the camera. He’d tell me to have a thought, even if the thought was simply ‘Buy me. I’m $3’ (the price of Vogue at the time). He taught me how to look away from the camera between each click and come back with a fresh thought. I still do that to this day. While a young girl’s face can be pretty enough with a blank expression, Avedon didn’t want blank. If you started to zone out, thinking about your grocery list, he knew it. He wanted to see the sparkle in your eyes looking back at him under his black cloth. And he knew it when he saw it.”
2. Not everyone is impressed by your Vogue cover.
“I remember how excited I was when my first Vogue cover finally hit the newsstands. At the airport on my way back to Chicago, I picked up three copies to show my mom and excitedly approached the cashier, hoping she would recognize me. She didn’t even look up as she tallied my purchases. All she said was, ‘You know you have three of the same magazine, right, honey?’ ”
3. Models shouldn’t be afraid to say no.
“I know it’s a model’s job to try and bring the photographer’s vision to life, but I also believe it is the photographer’s job to keep the model safe. When I realized that wasn’t always the case, I understood that I had to protect myself and have a more forceful voice about what was acceptable to me. Slowly, I found ways to say no.”
4. You’re a performer—don’t forget it.
“At one point, [Helmut Newton] had me in a bathing suit and heels—the Newton ‘uniform’—standing on a street corner. He put a hat on the ground and would offer every passerby a Polaroid shot with me in exchange for 100 francs. It was a great deal—we played at this until we made enough money to buy lunch. Talk about singing for your supper!”
5. That smize is a skill, too.
“In modeling, as is the case with most jobs, your skill set improves with practice. You learn how to work your face to its best advantage and finally how to smile naturally on demand. (It took me at least 10 years—I think that’s why I didn’t smile much in photos in the beginning of my career and thus perfected my look with my mouth slightly open and teeth showing a bit.)”
6. You never know what will catch on.
“When I first saw the finished [‘Freedom! ’90’] video, I remember being slightly disappointed, feeling like my part was the least glamorous. All the other women looked so gorgeous—Naomi [Campbell] strutting her stuff in a tight leopard dress,Tatjana [Patitz] looking so cool with a cigarette—while I was stuck in a bathtub with a towel on my head. At the time I wasn’t able to see what everyone else saw. People loved it; the video became a huge hit and played nonstop on MTV.”
7. Serious about a career in fashion? Hit the books.
“I applied myself to modeling the same way I had applied myself to school. As a young model I wouldn’t have dreamed of showing up to Avedon or [Irving] Penn’s studios without familiarizing myself with their work and their style. I also paid attention and did my homework so that when the photographer or stylist referenced ‘film noir’ or ‘Jean Shrimpton,’ I could speak the same language and know what they wanted from me.”
8. Travel is more than just a job perk, it’s your very own finishing school.
“With each trip, I saw a little more. I learned about art and architecture, food and fashion. I had a fling with an Italian, danced all night at a Parisian nightclub, swam topless on countless beaches. When I started traveling I was a young girl from a small town—until, all of a sudden, I wasn’t. Traveling was the ultimate finishing school. And the greatest lesson for me was that even though there are so many distinct cultures, in the end we as humans have more in common than we have differences.”
9. The power to change fashion is in your hands.
“The pendulum always swings back and forth, from Marilyn Monroe to Twiggy, from supermodels to heroin chic. That’s how designers, photographers, and editors get inspired. Second, consumers must realize that the power is in their hands (or, rather, their wallets). If they don’t like the images they see, they have the power to stop buying the magazine or the designer’s dresses. Above all else, fashion is a business, and sometimes change can only happen when the bottom line is affected. That said, it is exciting to see the current fashion embracing a broader idea of beauty. To my mind the most important message I can promote and exemplify is one that supports diversity and health.”
10. Even supermodels sing the blues.
“I’d love to tell that hardworking girl with her nose buried in a book that it is okay to live it up a little bit. I know for sure I never would have been the girl at the nightclub dancing on a table without any underwear (that story is for a different book), but I could have let myself experience more. Life goes by quickly, and I’ve learned that decisions made from a place of confidence—rather than one of fear—are the ones that get me to the place I want to be.”