Tuesday, December 29, 2015

The Clothes Show Live 2015: Exhibition Review

Birmingham NEC was once again the home of fashion this December as The Clothes Show Live held its annual four day show.
For the first time ever the exhibition supported a start-up area for new designers to sell their debut collections in the fashion fast-lane. Yay!
The queues were buzzing with excitement as the giant doors were flung open at 9am as eager shoppers, bloggers and beauty fanatics flooded the stalls.
At Purple Revolver we love a bit of retro clothing and so made a beeline for the vintage quarter to drool over the Belstaff leather jackets and Reebok pump high-tops. Swoon.
The rest of the exhibition is divided up into high end designer boutiques, beauty stalls, education exhibitors and start-up designers.
Designer Avenue formed a row of pretty boutiques focussing mainly on high end special occasion wear and showcased a fine array of stunning red carpet gowns alongside cashmere and leather accessories.
What seemed like 1000’s of beauty stalls were constantly rammed with women and girls thrusting notes at the chiselled male models handing out £10 goody bags filled with skin care, cosmetics and nail varnish samples. Sex sells…who knew?
The start-up designer section was absolutely jam-packed with talent and paired with the college and university exhibitors provided visitors with a real insight into the inner workings of the fashion industry.
We were delighted to see so many Northern designers coming to the fore with real passion for producing well-rounded, comprehensive collections of beautiful, original clothing.
10 years ago The Clothes Show Live was all about stocking up on discounted lines from labels such as Paul Frank, Juicy Couture and David & Goliath and while there are still plenty of bargains to be had the show has now taken on a responsibility to educate shoppers on how their items are sourced and constructed.
Tickets for seminars with fashion legends Caryn Franklin and Hilary Alexander sold out before the exhibition began and the tonne of floor space reserved for those in the education sector made for the most interesting part of the show.
From the 2015 Graduate catwalk to hands-on displays of pattern cutting, garment construction and student sketch books showing design processes, the friendly students on hand spoke enthusiastically about their learning experiences, hoping to inspire a new wave of talent.
After taking in the spectacular Alcatel One Touch sponsored catwalk show featuring a gaggle of beautiful models (a gaggle?! A flock?) And their endless legs whip nae-naeing down a huge runway we were all fashion-ed out.
We left with a bag stacked full of uni prospectus, course leaflets, business cards, flyers, glossy mags and samples to pour over on the journey home.
Hopefully the event organisers will continue in the same vain and inspire more budding designers to make the leap into main stream fashion.

Thursday, December 24, 2015

Roadkill turned into fur fashion

Pamela Paquin’s source for fashion is either “tres chic” or will make you shriek.
She creates neck muffs, leg warmers, hats, purses and more from roadkill, or “accidental fur,” as she prefers to call it.
As owner of Petite Mort Furs, a 2-year-old Boston-area company, she said she’s offering the fur industry an alternative to wild fur trapping and large-scale fur farms.
“All this fur is being thrown away,” Paquin said. “If we can pick that up, we never have to kill another fur-bearing animal again.”
Keith Kaplan, head of the Fur Information Council of America, said his trade group considers all North American furs to already be ethically and environmentally responsible.
“Production of fur in North America is highly regulated with guidelines set through years and years (and millions of dollars) of scientific study,” he said via email, declining to comment on Paquin’s company or the general idea of using roadkill for fur. “In fact, the populations of every species used by the industry today are as abundant, or more abundant, than they were a century ago.”
Animal rights groups also have mixed feelings about roadkill fur.
“We’d just say it’s in very poor taste,” said Kara Holmquist at the Massachusetts Society for the Prevention of Cruelty to Animals, declining to elaborate.
Lisa Lange, a senior vice president at People for the Ethical Treatment for Animals, or PETA, said that there’s “never an excuse” to wear fur, but that it’s “far better” to wear roadkill than farmed fur.
Pam Paquin
Others worry her products could only serve to prolong the industry they’ve spent decades trying to defeat.
“A business that promotes wearing real fur as fashionable and acceptable may well create more demand for fur from all sources, and could give all fur wearers a shield from legitimate criticism,” said Virginia Fuller, of the Boston-area Citizens to End Animal Suffering and Exploitation, or CEASE.
Paquin counters that the stigma around fur has eroded in recent years.
Greater spending power in China, Russia and elsewhere, as well as greater use of fake fur trimmings on clothes and accessories, has revived its popularity.
That demand, she said, is part of the reason she chose to jump into the industry despite having no background in fashion or design, and after working mostly office jobs for environmental and sustainability organizations.
The Fur Information Council of America said the U.S. alone recorded $1.5 billion in fur sales in 2014. Globally, it’s part of an over $35 billion industry.
“Clearly advocacy had failed,” Paquin said. “Alternatives must be found. Making use of animals that would otherwise be thrown away is sensible.”
Heidi Forbes Öste, a San Francisco-area resident who purchased a fox fur neck muff from Petit Mort last summer, said she’s surprised at the pushback from animal rights groups.
“They’re being short-sighted,” she said. “We should be encouraging people to buy sustainable fur. These are animals that are already dead.”
Products by Petit Mort, which means “the little death” in French and also describes the sensation of orgasm, are decidedly high-end, ranging from $800 to $2,000, depending on the product and type of fur used. They can be found online and on Boston’s fashionable Newbury Street, where the company rents display space in a handmade goods market.
“The value that these products have is that they’re handmade, local and last a lifetime,” Paquin explains. “That’s not just couture and high end, but that’s also sustainable.”
Each piece comes with a personal note explaining where and when the animal was found.
Paquin works with animal control specialists to gather the carcasses, but skins many of them herself. She considers the process almost sacred and doesn’t care much for the “roadkill” label.
“It’s a turnoff,” Paquin said. “It cheapens my product.”

Monday, December 21, 2015

Charles Gross’ Holiday Fashion Tips

The holidays are quickly coming around once again. Even though we are all stressing out about what to give other people, we need to ask ourselves one important question: What am I going to wear? YouTube sensation, Charles Gross, has the answer.
Gross has been on the rise since beginning as a handbag reseller in order to make a living. Since then, he’s been creating daily videos talking about fashion, style and his favorite trends of the moment – so make sure to tune in. The topics of his videos range from fragrances to handbags to seasonal trends that keep fashion-conscious viewers in the know.
Vital VOICE caught up with Gross to chat about not only his favorite holiday fragrances and trends, but also his personal gifting preferences.
When did you realize your passion for fashion, style, and fragrances?
I think it was pretty inherent, just through my childhood. My parents both worked in design and fashion magazines were always around the house. It was just something that was in my DNA.
What favorite trends of yours can we see the most this winter season?
Well this season I have been seeing a lot of earth tone pallets in collections that have been coming out for this holiday/winter season, so everyone is doing earth tone. A lot of “distressed” clothing (clothing that looks very worn), a lot of oversized pieces and there’s a lot of layering going on. With those oversized pieces, a lot of designers are encouraging layering their clothing, so it’s a very relaxed 90s look that I kind of love/hate.
What number one trend do you think should not have made a comeback this year?
I think the number one trend that I’m not crazy about is the bomber jacket. I saw it in the Kanye West collection with Adidas and I’m seeing a lot of other designers do it.
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Tell me about fragrances. What are some of your all-time favorites?
My favorite fragrance ever is Chanel No. 5. It’s something that I’ve worn for three or four years now. I always recommend that for a benchmark in any given fragrance collection. My recent favorite has been Black Opium by Yves Saint Laurent. It’s a really sweet, feminine fragrance for someone who doesn’t want to go with something as mature as No. 5.
What is the absolute best fragrance you’ve ever purchased?
I would say No. 5, but the absolute best would have to be Flowerbomb by Viktor & Rolf. It’s a very sweet, feminine fragrance. Even though it’s clearly feminine, it’s really great as a guy as well. It’s just intoxicating.
What fragrances are the best to wear for the holidays?
For the holidays, since it gets colder for most people in the United States, I tend to go with more spicy and warmer fragrances. You’ll find that in a lot of men’s fragrances. My favorite is Tom Ford Noir. It’s a very, dark spicy scent that cuts through the cold air.
Let’s talk about Sephora for a minute. What do you think would make the best Sephora stocking stuffers?
I love Sephora. I think their best stocking stuffer would be their rollerball perfumes. Also, some really good BB crèmes for someone who is just getting started with makeup. As for the rollerballs, they’re the best because they’re small, they’re not that expensive and it’s a great way to help someone get into a perfume without the commitment of a huge bottle.
And what Sephora item would make the best “luxury” gift?
They have some really good high-end skin care, and I always think that’s such a luxury. It’s a really intimate gift to have a little jar of crème that you use every day. It’s really touching when you give someone high end skin care because the quality is always there. You could also give them a full sized bottle of perfume because that’s always a good luxury gift.
What do you think are absolute “must” accessories for this time of year?
For this time of year, I think an absolute must is a good scarf. It can really elevate an outfit and it screams winter. Good gloves are also a must. I have a really big pet peeve about puffy gloves. If you get a good pair of close-to-the-skin gloves, they can really keep you warm and they’ll make you look nice.
Given your history with handbags, what bag would make the “perfect Christmas gift”?
I would have to say the Sac de Jour by Yves Saint Laurent. It’s a really beautiful, classic handbag. Even though it’s marketed towards women, it is definitely a unisex bag. For instance, if there’s a guy in your life who has an office job and needs a plain black briefcase, this bag would be perfect. It comes off as being masculine and it is being more and more recognized as an iconic handbag.
Do you think mini and micro bags would make cute gifts as well?
It really depends on the person. Some people really love them and think they’re cute, while some people aren’t crazy about them. For a while, I was not crazy about them until a got a mini bag myself, but I do think they’re a good gift, more so for a younger individual. They’re very cute to accessorize, but they do scream youth.
Now let’s shift to “luxury” gift ideas. You talked about the Creed Bespoke Fragrance Journey, which is priced at $475,000, in one of your videos. What would your custom scent smell like?
I’ve thought about this a lot. I would definitely want something that is extremely sweet, but is very on the warm size. A honey-based fragrance, but not very floral and not very biting, with some spice underneath to tie it all together. That way it could be worn all throughout the year.
And no amber right?
No [laughs].
If you could have one “luxe” gift from the Bergdorf Goodman Holiday Catalogue, what would it be and why?
It’s such a hard choice, but I would choose this Chanel watch that I talked about in one of my videos when I was going through the Bergdorf Catalogue. It was so beautiful. I don’t remember how much it was off the top of my head. I know it was extremely expensive for a watch but it was so stunning and it’s a really in your face and out of this world luxury that you could probably only wear to very few places.
What are great gift ideas for those who are on a budget?
I think that going with basics is always a great idea. It’s always good to stick with fashion and wardrobe staples. If you’re going to gift someone something and you’re on a budget, getting something that’s more on the simplistic side will last more than one season and the quality will hold up. It’s not necessary to go to a luxury store to get these staples.
Lastly, what is the best Christmas gift you’ve ever received?
That’s a hard one. A long time ago, when I was very young, I asked for a Coach bag for Christmas. It was my first designer bag ever and I was really young and I had no idea about fashion. Even though I’m not crazy about Coach at the moment, there’s definitely a lot of sentimental value with that handbag.

Friday, December 18, 2015

Fashion show and concert to highlight Native artists

Chase Iron Eyes has spent the past year working to bring attention to marginalization and discrimination in Rapid City, but he'll spend this weekend shining light on talented Native American artists.
The #NativeLivesMatter Fashion Show and Concert will be held at The Dahl Arts Center this weekend. The event is part of a long effort over the last year after several incidents and longstanding frustrations in the community. Iron Eyes, 37, is an activist from Rapid City and Standing Rock Reservation, and the head of Native news website Last Real Indians.
"I'm about addressing the systemic nature of oppression and impact of legal and economic institutions in the state of South Dakota," Iron Eyes said. "It's hard to prove discriminatory intent, but I felt that activists were marginalized, so we wanted to have a concert to provide a neutral venue for people interested in finding out why Indians always protest in Rapid City."
Iron Eyes said that events such as the GEAR UP scandal and the acquittal of Trace O'Connell, who was accused of spilling beer on Native American students during a minor league hockey game, were among the many things he was disappointed in.
"They're more blows to native consciousness and Indian/white relations in Rapid City," Iron Eyes said. "There is work being done by the mayor and chief of police being done to help, but I'm concerned real issues are going to be overlooked."
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This event, then, will double as a talk about issues and as a way to highlight talented Native American artists, beginning with the Native Fashion Week portion run by designer Edison Ritchie, whose work has been featured across the United States and Europe. Ritchie's company, Revolution Couture, will sponsor the event.
"We have an idealistic mindset that we want to promote," Ritchie said. "I hope people take away a sense of empowerment. I am empowered, I am Native, I'm from Pine Ridge, I am successful, sober, drug free, and I hope people see that and feel empowered as a Native and a person."
Ritchie will debut his collection of designs from the recent 2016 L.A. Fashion Week shoot. The show will also feature designs by Sunrose Iron Shell, an open discussion led by producer Crystal Two Bulls, and a performance by Native hip-hop artist Kooper Indigenize Curley. Ritchie is particularly excited that his work will be soundtracked by Curley's work.
"His words are so powerful, and they'll bring forth the activism of what I'm doing," Ritchie said. "My clothing incorporates bullets and guns, but it's not about violence, it's a sign of pure freedom."
Curley won't be the only musician at the event. There will be a hip-hop concert featuring rappers Nataanii Means (son of Russell Means), Stuart James, Antoine Edwards, Jr. and Mike "Witko" Cliff.
Cliff said he felt #NativeLivesMatter wasn't a movement as much as it was a way to spread awareness. "We're concerned when community members are being shot or harmed for no reason," Cliff said. "The show came up as something fun, good and positive to counteract all the bad things going on."
Cliff, 25, said that hip-hop was a way to draw people in and let them know he and others have something to say.
"People are worried about their lives mattering, and it's necessary that people recognize that," Cliff said. "I want people to recognize and realize that we want to get along with everyone else, but we want to be recognized and respected."
That's a feeling shared by Ritchie and Iron Eyes, something they hope to promote with a positive, drug and drink-free concert and show.
"Chase is very vocal on what he believes is needed to make social change, and he's pushing all of us to be more vocal, too," Ritchie said.
"All we want is fair and equitable treatment, to have a human life and not live in poverty," Iron Eyes said. "We want reconciliation and conciliation. But it's got to be real, and we want people to know that."

Monday, December 14, 2015

Lincolnton native’s star keeps rising in fashion world

Placed amongst a list of well-known celebrities that included Kendrick Lamar, Prince, Lester Holt and Janet Jackson, a Lincolnton clothing designer was recently honored with red carpet treatment at a Beverly Hills hotel.
Charles Harbison is featured in this year’s EBONY Power 100, a catalog of the African-Americans who best inspire, lead and demonstrate their individual talents. The Lincolnton High School graduate was feted at a Dec. 2 event held at The Beverly Hilton and hosted by Arsenio Hall.
“It’s intense in that EBONY is one of the magazines I grew up pining through,” said Harbison, now a Brooklyn, New York resident. “To be honored with Prince and John Legend and Jesse Williams, it was a really profound experience to be at the gala and just to be on the list.”
Earlier this year, The New York Post called Harbison a designer who was “about to blow up.” Beyonce wore his ensemble at a Kanye West fashion event and, in October 2014, Harbison was a guest at the White House for the first-ever “Fashion Education Workshop.”
Harbison attended North Carolina State University and held internships at Michael Kors and Jack Spade. After stints with Michael Kors, Luca Luca and Billy Reid, he founded Harbison, a company in his namesake, in 2013.
“Really, I initially thought Charles Elliott would be the name,” Harbison said. “But I was talking with a friend of mine who found my last name, we like the gender anonymity of it. It’s a bit more feminine and it’s a perspective that a woman is not wearing a garment with a man’s name on it. It’s a family name.”
Charles Harbison on the red carpet for the EBONY Power 100 awards.
Harbison is in the process of taking his company to the next level. That means building infrastructure and finding the necessary funding to take the next step. He is in the middle of sales for the mid-fall season and is working on building out his e-commerce site.
Reached by phone on Tuesday, Harbison’s day was consumed with appointments. He had been late to a meeting with a hat collaborator and from there had stops with a fabric contact and an intern appointment in his studio.
Harbison said his journey was “extremely difficult and quite simple.” It may also be categorized as quite random, with a stroke of luck thrown in. He was between jobs when images from his portfolio wound up in the hands of someone at Vogue. The magazine wanted him in its pages and profiled his work regularly. Vogue named him one of 11 designers who were shaping “the future of fashion.”
Vogue featured Harbison and two other designers in a video series a week before September 2014’s New York Fashion Week and his fall 2015 line was expected to be a hit.
A wide-ranging background — he studied fine arts, painting and textiles at NC State — is part of what Harbison attributes to his success.
“It’s a fusion of ideas,” he said. “My fine arts background is a really big deal…I love the graphic elements, I love modernism. That’s just fused also with the drawing process my mother did growing up.”
Harbison describes his company as a lifestyle brand. Though his focus is in women’s clothing, he’s also designed accessories, shoes and bags.
The next chapter in Harbison’s story may be getting big-name celebrities to wear his clothing at red carpet shows prior to prime time events. Beyonce has already reached out to him, Harbison said, and though unfamiliar territory, it’s a step he is eager to take.
“That’s a new process that I’m walking into and I’m walking into it with Beyonce,” he said. “That’s a new direction that I’m trying to take the business. I’m selective with whom I work. I like the process of being honest and collected. You want to align yourself with people who you feel represent the brand.”
He considers himself a working-class boy from rural North Carolina whose hard work and dedication has enabled him to carve out his own space in the Big Apple. And though the reviews are glowing and positive, as well as ever-present, Harbison said he doesn’t really take time to stare at his surroundings and bask in present glory.
“I don’t take time on Cloud 9,” he said. “I see how I could spend time on Cloud 10, Cloud 11, Cloud 12.”

Saturday, December 12, 2015

9 Moments From 'America's Next Top Model'

After 22 cycles, America's Next Top Modelis finally a wrap, having first premiered in 2003. To put that into perspective, I was in middle school when it first went on air and am now five years out of college. While many reality shows — especially in the realm of fashion — seem to come and go, ANTMmade a more lasting effort to create a more inclusive look at mainstream fashion.
Was ANTM perfect? Certainly not. I do not want to ignore the critique that the show played into racial stereotypes. But it also gave a place to some folks who mainstream fashion might otherwise have ignored, and that's worth recognizing.
As a fat, suburban teen interested in fashion, seeing plus size models competeon ANTM meant something to me. Plus size model Toccara Jones competed in ANTM in 2004, and while 2015 was a big year for body positivity becoming mainstream, it's significant that Jones appeared on ANTM 11 years ago, before the term was a buzzword.
The show created a platform for contestants who were openly gay, transgender, and living with disabilities, and this kind of visibility in such a big mainstream way was so important. So let's take a look back at 22 cycles ofANTM and smize about some of its more important, game-changing moments.
1. The "Short" Cycle
In 2009, ANTM cast 14 model hopefuls for Cycle 13, and all of them were 5'7" and under. In an industry in which even plus size models are still often held to a height standard, this decision was significant and helped tear down the idea that there's only one acceptable way to be a model.
2. Eva Marcille And Yaya DaCosta As Breakout Stars
The information for the "Where Are They Now" pages for most ANTMcontestants is probably a little harder to dig up than those of Eva Marcille and Yaya DaCosta, who came in first and second place on Cycle 3. These women are arguably two of the most successful contestants outside of the modeling world. Marcille has taken on a number of acting roles since her ANTM win in 2004 while DaCosta starred as Whitney Houston in the 2015 biopic. The modeling industry is still pretty white-washed, so to see the show launch the successful careers of two women of color is nothing short of cool.
3. Whitney Thompson As The First Plus Size Winner
Way before Ashley Graham and Tess Holliday became household names, Whitney Thompson was crowned the first plus size winner of ANTM in 2008. To see a woman size 12/14 earn one of reality TV's biggest titles at the time was huge for putting plus size fashion on the mainstream map.
4. Isis King As The First Trans Woman To Compete
Isis King was the first trans woman to compete on ANTM and appeared on the show in Cycles 11 and 17, in 2008 and 2011 respectively. Although King didn't win the competition, her participation in the show helped increase visibility for trans men and women. King became the first openly transgender model for American Apparel in 2012 and just this year was featured by Teen Vogue.
5. Winnie Harlow On Cycle 21
For a while, I didn't even realize that the now über-famous Winnie Harlowgot her start on ANTM's Cycle 21. Harlow was everywhere in 2015, including as the face of Desigual. She has spoken openly about having the chronic skin condition vitiligo and subsequently helped to remove some of the stigma associated with it.
6. The Photoshoots
Though there were certainly some misses when it came to photoshoots(looking at you, romance novel covers) many of the shoots tackled difficult issues such as the effects of smoking, youth homelessness, and the high cost of beauty standards. Others were just plain fashion forward and flawless.
7. Heather Kuzmich Shedding Light On Asperger Syndrome
In Cycle 9, Heather Kuzmich revealed that she had Asperger Syndrome, which can cause difficulties with social interaction and nonverbal communication. Kuzmich won our hearts and introduced many people, myself included, to Asperger's, while proving that she could still be a totally badass model.
8. The Male Models
Opening the competition to male models might not seem like that big of a deal, but it is when you consider that there is less visibility for male models in the fashion industry. And male models make 10 percent of what their female counterparts do. ANTM crowned Keith Carlos as its first male winner in 2014.
9. Nyle DiMarco As The Final ANTM Winner
On Dec. 4, 2015 Nyle DiMarco was named the last and final winner of ANTM.Though DiMarco was the last winner, he was also the first-ever Deaf contestant. DiMarco plans on using his platform to raise awareness and told MTV, "I hope my win helped shatter misconceptions about Deaf people. I hope my win will make people realize that we’re as normal as can be. I also hope my win will inspire Deaf people to do whatever they want to do in life! The possibilities are endless."

The possibilities really are endless for all of the faces and causes that ANTM, in its own way, helped bring into the sartorial and mainstream limelight.

Tuesday, December 8, 2015

After Ruining 73 Missouri Weddings, Ryan Crowell Is Back in the Wedding Business

There are few offenses as unforgivable in modern America as wrecking a wedding. Ryan Crowell found this out the hard way. "You would think that I committed the crime of the century in the way that this is treated," he says today.
Then a Kansas City wedding planner, Crowell made headlines in 2011 when the city shut down his historic venue — known as the Stowe Building in the West Bottoms — because of building code violations and his failure to obtain permits for renovations. Overnight, 73 weddings were cancelled and the heartbroken couples found themselves scrambling for new arrangements. The nuptial anguish led to a lawsuit from the Missouri Attorney General's office and, in 2013, a court ordered Crowell to pay $43,463 in restitution and $87,346.38 in penalties and fees.
Also in 2013, Crowell left Kansas City to start fresh in Texas — so fresh, in fact, that the website for his new wedding planning and photography business, based in Corpus Christi, fails to mention him by name and does not identify him as the owner.
He has good reason to lay low. Googling Crowell's name brings up a 2013Riverfront Times story describing the lawsuit brought by Missouri Attorney General Chris Koster, who called Crowell's business "a scam." And that, surely, wouldn't be good for business — even in Texas.
Crowell still bristles at the label.
"I get so tired of people saying I defrauded people for the money," he says. "Fraud is intent."
 
In Crowell's view, while he may have been guilty of poor planning, he insists his actions were well within the common practices of other wedding planners and venues, and that he never intended to pull a bait-and-switch on trusting couples.
He admits, however, that he used his customers' down-payments to fund the botched renovations, which meant he was unable to refund the the payments after the city shut the venue down. He didn't have any money to return, he says.
"It doesn't make me an admirable person, but it doesn't make me an ogre who took everyone's money and ran. I'm not the good guy here necessarily, but I'm not the bad guy here, too," he claims.
We should note that Crowell's latest business venture, Padre Ryan Wedding & Events — "Weddings on the beach in South Texas made easy" — seems to have built a positive reputation for its destination weddings in the Lone Star State. The company boasts a 4.9 rating (out of 5) on the consumer review websiteWeddingwire.com, and even the usual handful of dissatisfied customers aren't accusing him of being a con artist.
At the same time, Crowell acknowledges that he hasn't been able to pay any of the restitution or fees to the couples left high-and-dry in Kansas City.
"I want that to be paid, I want nothing more to be able to put this behind me, and if could just hand the couples $40,000, I'd take out a loan," he says. Sometimes, he adds, he will even spend a few dollars on a lottery ticket in the hopes that he can win enough to clear his balance. He also claims that the Missouri AG's office rejected his suggestion to set up a payment plan.
"I've made efforts to try to pay it," Crowell says. "I want to get rid of that number so I can stop living in fear. It's probably taken a couple years off my life, worrying about people calling me, watching my back, worrying about who wants to turn me in. All of this is a heavy cost for what amounted to not being able to get building permits."
We reached out to the Missouri Attorney General's office, and a spokeswoman provided this statement:
In February 2013, Jackson County Circuit Court ordered Mr. Crowell to pay restitution of $43,463.80 to 73 couples. When he failed to pay, we attempted to garnish bank accounts in both Missouri and Kansas, but Mr. Crowell had closed those bank accounts. We also have sent demand letters that have gone unanswered. To date, Mr. Crowell has chosen not to pay one penny of restitution since the judgment was ordered. His obligation to pay the judgment remains, and we will continue our efforts to collect.

Friday, December 4, 2015

Swedish Fashion Brands Gain Traction

Swedish fashion is having a moment.
While many labels hailing from the North have been quietly growing their footprint domestically, Swedish brands — and men’s wear in particular — are quickly gaining traction abroad.
“Swedish fashion is the fastest growing export industry in the country,” said Jockum Hallin, cofounder of Our Legacy, one of Sweden’s rising brands. “In 2014, fashion exports jumped 17.3 percent, excluding H&M — that’s three times as much as any other export industry” — a trend, he noted, that has been surging for the last four years.
Total sales for the industry stood at 264 billion Swedish kroner, or $3.8 billion at average exchange for the period, up 11.4 percent from the previous year — 65 percent of which were exports.
A minimalist approach and the Swedes’ obsession with function are key to the country’s success, according to Emma Hedlund, one half of Cmmn Swdn: “What makes Swedish fashion so successful is the business model — it’s long-lasting, which gives it a commercial appeal. Swedish fashion doesn’t shout, it can go directly from the show to the store.”
“This is part of our Scandinavian design heritage — it’s clean and timeless. We don’t add too many extras to make the garments last longer in your closet,” added Hallin, noting how the country’s culture, based on a healthy work-life balance, leaves individuals space to self-express while fostering an entrepreneurial spirit.
The success has taken even locals by surprise. “When Acne started with a batch of 100 jeans, distributing them to the cool kids in town, that was clever marketing, but nobody expected it
to become this big,” said Sofia-Li Molin, creative director of the Swedish Fashion Council, citing Tiger of Sweden, Filippa K, J.Lindeberg and Whyred among the pioneers who put Sweden’s men’s wear on the map.
Today, more than half of the applicants to the Swedish fashion council’s talent competition are men’s wear designers or unisex labels, she observed.
What connects them all is an elevated sense of sustainability that has led to much innovation. As Johan Loman, cofounder of Stutterheim, observed: “It’s very dark here most of the year, which forces people to stay occupied and do something sensible with their time. Sweden is a very small country, yet it managed to create a number of fantastic brands, not only in fashion but IT, mobile, gaming and design and other creative industries. Climate plays a big part in this.”
Here, some of Sweden’s Leading Fashion Lights:
BRAND: Our Legacy
YEAR LAUNCHED: 2005 with a line of T-shirts; 2008 the brand presented its first full ready-to-wear collection
RETAIL PRICE RANGE: $80 for a T-shirt to $1,500 for a shearling jacket
TOP RETAILERS: Mr Porter, Isetan, Liberty, Opening Ceremony
KEY LOOKS: Classic dress shirts done in suede are the brand’s signature.
BACKSTORY: The duo of Christopher Nying and Jockum Hallin started out as agents in the fashion industry. “We were selling other people’s brands and realized that a lot was missing. We were looking for classic men’s wear staples like a pair of chinos or a trenchcoat, but that didn’t feel like they were meant for a 60-year- old man,” Hallin said. “We grew up in the Nineties, so we reference that era a lot,” he explained, citing skateboarding, the Nineties’ club scene and the art of Joseph Beuys as influences. Cue a dress trouser teamed with a blouson instead of a classic blazer, which are produced in Europe from mostly organic fabrics in eco-friendly factories.
EXPANSION: Our Legacy runs four free- standing stores, with three in Sweden, one in London. In the next three years, the brand plans to set up shop in the U.S. “The U.K. used to be our biggest market outside of Sweden, but the U.S. is growing fast. It now represents 30 percent of total turnover,” Hallin said.
Stutterheim’s rubberized trenchcoat and Uniforms for the Dedicated’s linen pants.
BRAND: Hestra
YEAR LAUNCHED: 1937
RETAIL PRICE RANGE: Gloves from $100 to $525.
TOP RETAILERS: Bergdorf Goodman, Mr Porter, Tomorrowland
KEY LOOKS: Reindeer, peccary, deer and lambskin are among the fine leathers used by the glovemaker. The linings are silk, wool or cashmere. “We keep it clean and minimalist, because people in Sweden don’t like to dress up after skiing,” said Niklas Magnusson, the great-grandson of the company’s founder.
BACKSTORY: The brand started by supplying the region’s lumberjacks before branching out into ski gloves when the first ski slope was built in Hestra. Outdoor gloves still account for 60 percent of total business, though the brand’s fashion collection is catching up fast, putting its focus on the U.S. “Gloves are the quintessential Nordic accessories. Now it’s time to convince the New Yorkers. It’s freezing there, yet no one’s wearing gloves. We would like to change that,” Magnusson said.
CRAFTSMANSHIP: Hestra table-cuts gloves according to an old French tradition, which allows it to measure the elasticity that goes into each part of leather. Within a week, the gloves are said to adjust to the wearer’s hand and 0.1 mm often make a difference.
BRAND/DESIGNER: Uniforms for the Dedicated
YEAR LAUNCHED: 2008
RETAIL PRICE RANGE: From $53 for a T-shirt to $802 for a wool parka.
TOP RETAILERS: The brand boasts 180 points of sale, mostly in Europe and Asia, including Liberty, Isetan, Printemps and Luisa Via Roma. It is expected to launch in the U.S. in 2016.
KEY LOOKS: The label’s comfortably tailored wool suits and matching overcoats are a hybrid between street and chic. Sixty percent of sales come from recycled cashmere. By 2018, it expects to solely use recycled fibers.
BACKSTORY: Born out of a snowboard collective of “nature children,” as creative director Fredrik Wikholm put it, the label set out to make clothing “for inner-city customers with minimal impact on the planet…I say we make clothes for worried optimists — people who are great believers in the future, but are worried about how to get there.”
WHAT’S NEXT: UFTD has two sister companies: the award-winning “The Rag Bag” project, which encourages shoppers to recycle some- thing old when buying something new; and From Air, a textile company that produces fibers from methane emissions — due to launch in 2016.
BRAND/DESIGNER: Tärnsjö Garveri
YEAR LAUNCHED: The tannery, dating back to 1873, launched its private label in 2014.
RETAIL PRICE RANGE: From $64 for a key loop to $1,926 for a hand-finished briefcase.
TOP RETAILERS: Mr Porter, NK
KEY LOOKS: The Icon Briefcase. It comes with double-sided layers of leather and Nubuck lining instead of common fabric; there is a bonus document holder in the back and a replaceable handle, while hidden steel-reinforcements prevent sagging. The label, which accounts for 5 percent of the tanner’s total turnover, is slated to grow to 25 percent over the next five years thanks to new styles.
BACKSTORY: Tärnsjö’s in-house saddlery uses only vegetable-tanned leather. “The bovine hides, sourced from local farmers, are by-products of the meat industry. The cows live really long lives, which makes their hides thicker and more durable,” explained the brand’s creative director Simon Hjälte. Because the tannery only glazes the skin, it can breathe and develop a unique patina over time. Tärnsjö chose to stop supplying French luxury labels due to differences over price and quality, preferring to work with Our Legacy and Japanese Visvim instead.
FASHION ICON: Johan Renck (think TV series “Breaking Bad” and Beyoncé’s “Me, Myself and I”). “He is what we call ‘independently aware’ — he invests great money in how he looks, but he doesn’t give a s–t what other people think,” Hjälte said.
BRAND/DESIGNER: Stutterheim
YEAR LAUNCHED: 2010
RETAIL PRICE RANGE: From $295 to $1,200
TOP RETAILERS: Barneys New York, Isetan, Dover Street Market, Le Bon Marché
KEY LOOKS: A raincoat made of rubberized cotton with the brand’s signature matte finish.
BACKSTORY: When his grandfather passed away, Alexander Stutterheim found an old Swedish fisherman’s rain- coat among his belongings. It was “as big as a camping tent,” his partner Johan Loman recalled, so he updated it to fit modern standards. In less than five years, the production shot from three coats a day to between 500 and 800 a day. In 2016, the brand is looking to set up its first store in the U.S., a fast-growing market, where the company is expecting to close the year at $1 million in sales.
NEWS: The company has hired Patric Wallertz (previously with Uniforms for the Dedicated) as designer to grow the main collection and expand into new materials. His first effort will bow in fall 2016 and will include trenchcoats, classic car coats and bomber jackets in down as well as bonded cotton.
BRAND: CMMN SWDN
YEAR LAUNCHED: 2012
RETAIL PRICE RANGE: $76 for a T-shirt to $1,833 for a wool coat.
TOP RETAILERS: Harvey Nichols, United Arrows, Galeries Lafayette
KEY LOOKS: The bomber jacket, but not in the traditional sense. Instead, everything is deliberately off-kilter, reflecting the label’s roots in Malmö, in the south of Sweden. So there are short tops with long bottoms; elongated sleeves and cropped jackets. “Malmö is close to Europe and Copenhagen, so there is a different energy than in the north where Stockholm is. We think it’s quite cool to go against the flow,” said co-designer Saif Bakir.
BACKSTORY: Bakir and Emma Hedlund met while studying in London at Central Saint Martins and London College of Fashion. Setting up the design studio of Kanye West in Paris triggered the couple’s desire to have their own label. The brand, which shows its line during London Collections: Men, has just launched a global e-store. Sales are growing between 20 and 30 percent every season.
FASHION ICON: “Miuccia Prada for being unique and staying true to who she is every season,” Hedlund said.
BRAND: Tretorn
YEAR LAUNCHED: 1891
RETAIL PRICE RANGE: Between $65 and $170
TOP RETAILERS: Nordstrom, J. Crew
KEY LOOKS: Nylite, the canvas tennis shoe made popular on and off the courts by Björn Borg and Martina Navratilova, before attracting the attention of Jackie O and Farah Fawcett.
BACKSTORY: The brand’s success story started with rubber boots. Within three years after it formed, the firm had already produced 1 million pairs, eventually becoming a purveyor to the Swedish royal court. Though footwear accounts for 90 percent of its total business, the company also produces outerwear and tennis balls with pioneer micro-cell technology.
NEWS: Following in June the acquisition of Tretorn by Authentic Brands Group from Puma, the focus is on expanding the brand’s categories into apparel — outerwear and sportswear – as well as accessories — bags, head-wear and eyewear.
BRAND: Whyred
YEAR LAUNCHED: 1999
RETAIL PRICE RANGE: $214 to $643
TOP RETAILER: NK
KEY LOOKS: A double-breasted peacoat and a fishtail parka. “We did one called Highboy in 1999 — it’s still our best-selling item,” said Roland Hjort, the brand’s founder and head of design.
BACKSTORY: Hjort is one of Sweden’s longest serving designers. After doing men’s for H&M, he was recruited in 1996 by J.Lindeberg, before setting up his own label. “There was something in the air. Prada had just launched its new men’s wear, proposing blazers with nylon. Acne emerged around the same time. We just wanted to do something new,” he said. The brand was among the first to employ stretch, while drawing inspiration from art, which also provided the name. When Hjort’s grandfather, painter Sven Erixson, was asked in an interview what his favorite color was, he said red. “Why red?” the journalist questioned. “Well, blue, then,” he answered. “This very well reflected our own philosophy. We wanted to be free,” Hjort said.
FASHION ICON: Helmut Lang
EXPANSION: The brand’s new chief executive officer, Claes Stroby, hired in 2012, is implementing a new business plan, growing both wholesale and retail internationally. Total sales stood at around 100 million Swedish kroner, or $13.5 million, in 2014, as sales soared 30 percent year- over-year.

Tuesday, December 1, 2015

Condé Nast culls fashion talent in Asia via educational center

Media conglomerate Condé Nast is bringing its educational ventures to Shanghai with the opening on its Center of Fashion & Design.
Opening last week, the Condé Nast Center of Fashion & Design started its first round of courses with more than 250 participants. Designed to offer a foundation in the fashion industry, the Condé Nast Center for Fashion & Design offers one-day course sessions to 9-month full-time programs.
Schooled in Shanghai
The Condé Nast facility is located on Mid Huaihai Road in the center of the fashion and luxury retail district of Shanghai. Within the Center, students will have access to cutting-edge digital and educational facilities offering a benchmark learning environment.
Condé Nast’s space will also double as a multifunctional venue where fashion shows, conferences, exhibitions and other events can be hosted.
Vogue China's November issue featured the Apple Watch
The facility’s course schedule will open by Chinese New Year 2016 on Feb. 8. Courses included: Fashion Media and Digital Communications, Fashion Marketing and Branding, Ecommerce for Fashion and Luxury, Fashion Illustration for Beginners, Experimental Fashion Illustration, The Little Black Dress (Design, Cut and Make a Classic Style), Dress for Success, The Universe of Perfume and Fashion Photography and Styling.
While applications for the aforementioned courses are now being taken, Condé Nast plans to offer additional classes in fields such as visual merchandising, retail, digital marketing, jewelry design and fashion design.
Additionally, Condé Nast Center for Fashion & Design will offer a fully sponsored Protege Program for Advanced Fashion Design. This program, supported by luxury retailer ATTOS, is open to applicants from Mainland China, Hong Kong, Macao and Taiwan.
Scholarships will be awarded to students in December based on panel recommendations. The scholarship panel includes Angelica Cheung, editorial director of Vogue China, Susan Jenkyn Jones, senior academic director of Condé Nast Center and Timothy Goh, CEO of ATTOS.
“We are delighted to welcome our first participants, and to assist in creating the next generation of talent in the fashion industry,” said Dominique Simard, executive director of the Center, in a statement. “We will be capitalizing on the considerable authority and expertise which Condé Nast is known for, offering unrivaled access to what is recognized as a hard-to-enter industry, improving the participants’ chances of achieving their career goals.”
Due to the successful growth of its educational offerings, Condé Nast College of Fashion & Design in London expanded upon the classes available last year.
After noting an interest from younger readers between the ages of 16 and 18, Condé Nast has decided to begin offering “Miss Vogue” weekend courses. Condé Nast College of Fashion & Design’s main courses help to curate young talent among students interest in fashion journalism and styling.